Iroha Crest Works: what if the crest makers of 1881 had our tools?

I found the Iroha-biki Monchō, a public domain book of Japanese family crests compiled by Tanaka Kikuo in Tokyo in 1881, in the Smithsonian Libraries scan on the Internet Archive. I trained a Recraft V4 Style on eight of its crests and asked one question: what would its makers have done with our tools? With the Style I drew eight new crests as working sheets over the faint compass construction they drew by hand, opening with their tool, the compass, and closing with ours, the pen tool. Recraft's vectorizer rebuilt them as cyanotype blueprints, and Edit image put them back on the things crests lived on in 1881: a noren, a furoshiki, a paper lantern, a lacquer box and a sake bottle. Every image and clip after the archive was made in Recraft; the film and the before-and-after panels are cut from those outputs, with our plum set beside the book's own plum page.

Product steps, plain scene to Edit image to Outpaint: https://www.recraft.ai/project/3f2aaffb-d32a-4a2c-85e6-55a34d172c35

an 1881 crest book as training data.. very good pick

Usbong is Tagalog for "bud," the moment a flower first breaks open. I dug into Flora de Filipinas (1877–1883), a 19th-century botanical atlas of Philippine plants, through the Biodiversity Heritage Library and Wikimedia Commons. I turned its hand-colored plates into a fictional women's football club. Every native flower became gear: Dapdap → home kit Banaba → away kit Caballero → boots Santan + gumamela → goalkeeper gloves Sanggumay → match ball Makahiya → the supporter's scarf Makahiya is the "shy" plant, the one that folds when you touch it. It's also covered in thorns, and that's the whole idea: these flowers aren't soft or decorative. They bite. Worn by striker Maya Flores, #29, the collection reclaims flowers as fierce, not fragile.

Bella, this is sooo cool!!!