This short ad i animated a couple of months ago was the first time that i was able to truly merge...This short ad i animated a couple of months ago was the first time that i was able to truly merge...
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This short ad i animated a couple of months ago was the first time that i was able to truly merge ai-animated elements into my usual vector animation workflow.
It's mostly animated by hand in after effects. but frame-by-frame of birds flapping their wings would not have been realistic with the time we had. by sprinkling just the right amount of ai where it matters, we get something that works well together ✨
GATE108 is a forward-thinking ecosystem bringing together people, ideas, experiences and new ways of living, working and connecting.
We’ve been their long-term design partner, shaping and continuously evolving a flexible visual ecosystem across visual strategy, brand identity, creative direction, digital experiences, event assets, 3D motion and social media.
Inspired by the idea of GATE108 as a gateway into a multidimensional world of people, ideas and possibilities, we’ve built a brand system designed to move, adapt and grow across physical and digital spaces.
As the brand evolves, we continue to create new expressions while keeping the wider ecosystem cohesive, recognisable and ready for what’s next.
Opus 5.5 one-shots are fun, but revisions ain't. So here's my workflow: hero graphic for the web, same assets from/to @MagicPath , then edit shot by shot 👇🏻
Passwords Don't Know Who's Typing Them is a genuinely great hook for an identity product, that is copywriting doing real work. One-shots for the hero then editing shot by shot is a smart split, generate fast, refine slow. My workflow is basically the same, rough pass in AI then hand-tune the timing.