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🧩 A look at how the whole system comes together as one connected experience.
• 9h
Clean layout! It’s tough to map out a massive system without it looking cluttered, but you made the whole user flow feel completely seamless at a glance.
• 7h
Ye le Jani:
Love this systems view Anna! Showing the whole roster in one connected experience is so powerful - the shift schedule + work hours stats + assignments all living together like that makes it feel like a real operational OS, not just screens. That soft green / peach...
Mapping a whole roster system like this without it turning into clutter is genuinely hard. The color coding across shift types reads instantly. Did Claude and Cursor mostly handle the build side, or did they shape the design decisions too?
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From the cover to what’s inside 👀
Thank you to everyone who voted in my cover test. This time, I’m trying two short previews of DCS 654: my library of 654 dessert-inspired colors and matching textures, with ready-made palettes for your own design work.
Which video makes you more curious to explore the library: A or B?
And what made you choose that one?
You can take a closer look here: https://dcs.mariya.design/
36 voted
61%
23 voted
39%
59 votes
Closed
I’d pick B. It makes the colors and textures feel more engaging and makes me want to explore the full library.
Fresh case study 🚀🚀🚀
Brand identity for Peak, an all-in-one website builder for WordPress that I design and build. A four-letter mark, a warm paper-and-ember palette and one system that runs from the favicon to the packaging.
A four-letter mark that has to hold from favicon to packaging is a tough constraint. Did you draw one letterform first and build the other three from it, or design them together as a set from the start?
Built something that isn’t client work for a change.
Flowkidz. Short games that teach kids design, websites, AI, code and internet safety.
