The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
A couple of weeks ago I wrapped my first project with Forshay - designed and built their new site end to end, and it's live now at forshay.com.
Honestly one of the smoothest collaborations I've had: clear feedback alongside real trust. I love how it turned out, and I'm glad we're not stopping there - this new contract is a supporting one.
Happy to keep improving the site piece by piece alongside them.
NEW PAID PROJECT
Nazar KolianoForshay Inc.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Trending
retrofuturism
Share your favorite designs from the past exploring the distant future. Or your own take on the aesthetic 🚀
halftone
Dots. Texture. Grain. Let's see your designs using the halftone technique.
Midjourney
Creatives are showing off what they're making with Midjourney.
colorgrade
Video editors sound off: How do you enhance the mood of your video in color grading?
Related posts
Almost two years ago, I started shaping the visual identity of my own studio.
Time flies. Couldn't be happier with what we've built so far, and what's next!
The eye motif carrying through every project instead of just the logo is what makes the studio's own identity actually recognizable, most agencies never bother applying their brand to themselves that consistently.
Almost two years ago, I started shaping the visual identity of my own studio.
Time flies. Couldn't be happier with what we've built so far, and what's next!
A beautiful website can lose a surprising amount of its character on a phone.
Not because it’s broken.
The buttons work, the sections stack, and everything technically fits. But the rhythm feels flatter, the hierarchy becomes weaker, and the mobile version starts to feel like a leftover from the desktop.
I wanted to avoid that with Sirnik, TOSOO, and APVist.
Each project needed its own mobile edit: deciding what belonged first, what could be simplified, and which visual moments were worth protecting.
I brought a few of those screens together in this short reel.
Different brands and different visual systems, but the same goal:
The mobile version should feel designed - not adapted.
If you’re working on a website and want that same level of care across every screen, let’s talk!
