The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
Damask Daydream grew out of my love for the soft pink of old parlours, which is why most of the style is drawn from pale damask, embroidered silk and gilded chairs dressed in striped fabric. In those rooms pink was the color of private luxury and quiet romance, and I wanted that same warmth to carry through every page of the series.
On its own that pink could easily feel like decoration, so I paired it with a romantic sunset landscape and a naive jungle painting that bring in glowing skies, oversized leaves and a gentle sense of strangeness. Those two paintings are what tip the style into pop surrealism, as though the parlour had drifted off to sleep and begun to dream.
The series imagines the pages of a fashion art book that was never published, a collection of editorial covers shot inside that dream. Real models with natural faces share each frame with giant blooms, enormous fruit and objects that grow in impossible ways, turning every image into a botanical surrealist spread where the colors and textures of the past quietly shape a very modern world.
Damask Daydream Style Image
Damask Daydream Style Video
Beautiful concept Eric! Damask Daydream is such a poetic inspiration - that soft pink of old parlours as private luxury and quiet romance is a lovely narrative. Love how you translated pale damask, embroidered silk and gilded chairs into this surreal dreamy aesthetic. The pastel...
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
Kalighat 2026: The Machines Are the New Babus
Kalighat paintings were cheap bazaar watercolours sold in 1880s Calcutta, and they were satire: they mocked the city's new rich, dandies who aped their British masters and lounged while servants fanned them.
I trained a Recraft V4 Style on five anonymous Kalighat sheets from the Cleveland Museum of Art and Wellcome Collection, keeping the bold single outline, flat colour and empty paper ground.
Then I turned the satire on 2026: the machines are the new babus. Phones smoke hookahs on velvet chairs, robot vacuums ride in palanquins, and humans fan, carry and groom their devices. Same masters, new hardware.
Social post: https://lnkd.in/p/gXJn_FQQ
💔 The Lonely Modern World — Connected by Screens, Separated by Hearts 📱🌆
In a world where everyone is connected digitally, why do so many hearts still feel alone? 💔 This four-image visual story explores the silent loneliness hidden behind our screens, crowded streets, and everyday lives—and reminds us that sometimes, the greatest thing we can give another person is our time, attention, and kindness. ❤️🩹🌿
Inspired by Gustave Caillebotte’s Paris Street; Rainy Day (1877), I created a custom Recraft Style, “Urban Isolation — The Lonely Modern World,” to tell a journey from isolation and emotional distance to empathy, hope, and genuine human connection. 🎨✨
🙏 Heartfelt thanks to Recraft and Contra for creating opportunities where artists can turn imagination into meaningful stories. May we never become so connected to our screens that we forget the people standing right beside us. 🤝❤️
🌍 Because progress means little if we lose our humanity along the way. 💚
The Future, as They Imagined It
I used this historical furniture illustration because I loved how people and animals became the furniture itself, supporting tables or shaping entire pieces. I paired it with this image, whose visual style caught my eye. Both references come from the Wellcome Collection. That made me wonder: what would furniture look like if the designers of that time had known about laptops, headphones, drones and the other gadgets we use today? I explored that question through a custom Recraft Style and a collection of eight furniture designs, each presented with a graphite sketch.
FOLD · Writing desk
A folding laptop becomes a writing desk. Its opening movement translates into folded supports and a curved privacy panel, finished in forest green, brick red and ochre.
LOOP · Lounge chair
Over-ear headphones become a lounge chair, with circular cushioned armrests and a curved frame wrapping around the seat. Brick-red upholstery and an ochre cushion sit inside a forest-green structure.
KEY · Sideboard
Keyboard keys become six sculpted drawer fronts, arranged in two rows. Their concave surfaces and rounded edges carry over into a cobalt-blue cabinet with blush-pink and cream drawers.
FOCUS · Floor lamp
A webcam becomes an adjustable reading lamp. Its capsule-shaped head and circular lens turn into a pivoting light, combining lavender, petrol green and butter yellow.
PLAY · Sofa
A game controller becomes a two-seat sofa. Rounded grips shape the armrests, while thumbsticks inspire the circular back cushions, in burnt orange, petrol blue and blush pink.
TRACE · Bookcase
A circuit board becomes a storage system. Its pathways translate into shelves and dividers, with enclosed compartments recalling electronic components, in sage green, burgundy and pale yellow.
HOVER · Coffee table
A drone becomes a coffee table. Four branching arms support circular surfaces at different heights, combining powder blue, coral and cream.
SOUND · Bedside cabinet
A portable speaker becomes a bedside cabinet. Its circular driver becomes a drawer, while its carrying loop becomes a sculptural frame, finished in plum, peach and mint green.
The final room illustration brings all eight pieces together, showing how this imagined collection could live in a contemporary home.
another one
