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Around 1600, Japanese artists painted Nanban folding screens depicting for the first time the arrival of Western ships and visitors, observing their unfamiliar clothes, belongings and customs from a local perspective. Four centuries later, the ships are bigger, the luggage has wheels, and everyone carries a camera.
Using a public-domain Nanban reference from the Cleveland Museum of Art, I created a custom Recraft Style and brought that historical gaze into the age of mass tourism.
A Grand Tour of Everyone Else’s Home follows contemporary visitors through seven painted scenes, turning rolling suitcases into grand processions and raised smartphones into the spectacle itself. The series gently reverses the tourist gaze: we arrive to look at a place, while the people who live there look back at us.
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Kalighat 2026: The Machines Are the New Babus
Kalighat paintings were cheap bazaar watercolours sold in 1880s Calcutta, and they were satire: they mocked the city's new rich, dandies who aped their British masters and lounged while servants fanned them.
I trained a Recraft V4 Style on five anonymous Kalighat sheets from the Cleveland Museum of Art and Wellcome Collection, keeping the bold single outline, flat colour and empty paper ground.
Then I turned the satire on 2026: the machines are the new babus. Phones smoke hookahs on velvet chairs, robot vacuums ride in palanquins, and humans fan, carry and groom their devices. Same masters, new hardware.
Social post: https://lnkd.in/p/gXJn_FQQ
The Future, as They Imagined It
I used this historical furniture illustration because I loved how people and animals became the furniture itself, supporting tables or shaping entire pieces. I paired it with this image, whose visual style caught my eye. Both references come from the Wellcome Collection. That made me wonder: what would furniture look like if the designers of that time had known about laptops, headphones, drones and the other gadgets we use today? I explored that question through a custom Recraft Style and a collection of eight furniture designs, each presented with a graphite sketch.
FOLD · Writing desk
A folding laptop becomes a writing desk. Its opening movement translates into folded supports and a curved privacy panel, finished in forest green, brick red and ochre.
LOOP · Lounge chair
Over-ear headphones become a lounge chair, with circular cushioned armrests and a curved frame wrapping around the seat. Brick-red upholstery and an ochre cushion sit inside a forest-green structure.
KEY · Sideboard
Keyboard keys become six sculpted drawer fronts, arranged in two rows. Their concave surfaces and rounded edges carry over into a cobalt-blue cabinet with blush-pink and cream drawers.
FOCUS · Floor lamp
A webcam becomes an adjustable reading lamp. Its capsule-shaped head and circular lens turn into a pivoting light, combining lavender, petrol green and butter yellow.
PLAY · Sofa
A game controller becomes a two-seat sofa. Rounded grips shape the armrests, while thumbsticks inspire the circular back cushions, in burnt orange, petrol blue and blush pink.
TRACE · Bookcase
A circuit board becomes a storage system. Its pathways translate into shelves and dividers, with enclosed compartments recalling electronic components, in sage green, burgundy and pale yellow.
HOVER · Coffee table
A drone becomes a coffee table. Four branching arms support circular surfaces at different heights, combining powder blue, coral and cream.
SOUND · Bedside cabinet
A portable speaker becomes a bedside cabinet. Its circular driver becomes a drawer, while its carrying loop becomes a sculptural frame, finished in plum, peach and mint green.
The final room illustration brings all eight pieces together, showing how this imagined collection could live in a contemporary home.
another one
OFF THE CUFF. Business on top. Personality underneath.
You know those businessmen who wear perfectly tailored suits, polished shoes, and then surprise you with the most colorful socks when they sit down? I've always loved that little detail. 😂
When I discovered Albert Racinet's L'Ornement Polychrome, a collection of beautiful ornamental designs published between 1869 and 1873, I immediately thought these patterns deserved a comeback.
So I imagined OFF THE CUFF, a fictional menswear accessories brand creating matching silk ties and colorful dress socks for gentlemen who take their careers seriously, but not necessarily themselves.
Using Racinet's historical illustrations from The Public Domain Review, I explored how these intricate 19th-century patterns could become a contemporary fashion collection through a custom Recraft Style.
The idea is to keep things elegant and understated above the desk, while letting a little personality show underneath it.
