Reworked and refined the motion of an existing character animation of a company.
I spent time on the little things that are not really 'visible' but make a character feel more alive.
the pupil has a subtle pseudo curved effect using Rive path scripting. There’s a slight delay between the tilt, a bit of squish. You might not consciously notice these details, but they make a difference in how expressive the character feels.
My first preloader code component for Framer became a huge hit and ranked #1 in the paid Loaders category on the Framer Marketplace. I received so many sales from it in just a few days, so I decided to create another one.
As usual, I packed multiple options into a single code component. This time, you can choose from 4 different preloader styles.
Same flower house, same layout. We only took the color out.
1. Full color. The iridescent petals do the selling: lilac, pink, a little shimmer. The photo is the brand, and every accent on the page borrows from it.
2. Monochrome. No color at all. Shape, texture and typography have to carry everything, and the page suddenly reads like a gallery catalogue.
Color sells the flower. Monochrome sells the exhibition.
The problem with monochrome is that, throughout computer history, it has conditioned users to associate gray and monochrome with being disabled, dysfunctional, or something to ignore and avoid.