๐๐ ๐ถ๐ ๐ฐ๐ต๐ฎ๐ป๐ด๐ถ๐ป๐ด ๐๐ต๐ฒ ๐๐ฎ๐ ๐ฑ๐ฒ๐๐ถ๐ด๐ป๐ฒ๐ฟ๐ ๐ฝ๐ฟ๐ฒ๐๐ฒ๐ป๐ ๐๐ต๐ฒ๐ถ๐ฟ ๐๐ผ๐ฟ๐ธ, and honestly, Iโm here for it.
Recently, I experimented with creating an animated design presentation using Claude as part of my workflow. Not to replace the creative process, but to speed up the thinking behind it.
The most useful part wasnโt โAI doing everything for me.โ
It was using Claude as a creative partner for:
- structuring the animation flow
- deciding what should appear first
- creating a smoother visual rhythm
- turning static screens into a more engaging story
- thinking through transitions and pacing
- making the presentation feel more polished and intentional
As designers, we often spend so much time creating the actual UI that the presentation becomes the โlast step.โ But presentation is what helps people understand the value of the design faster.
This is where AI can be powerful.
Claude helped me move from:
โ๐๐๐ง๐ ๐๐ง๐ ๐ฉ๐๐ ๐จ๐๐ง๐๐๐ฃ๐จโ ๐ฉ๐ค โ๐๐๐ง๐ ๐๐จ ๐ฉ๐๐ ๐๐ญ๐ฅ๐๐ง๐๐๐ฃ๐๐.โ
I still made the design decisions. I still controlled the style, mood, layout, and final direction. But AI helped me organize the story, test ideas faster, and think more clearly about how the work should be shown.
For me, this is the best use of AI in design right now:
not replacing designers, but helping us present ideas better, faster, and with more confidence.
Curious to hear from other designers: have you tried using Claude or other AI tools for animations, case study presentations, or creative workflows?
๐ง Was it helpful, chaotic, or surprisingly good?
The A mark built on a diagonal grid, with the ramp stepping up on the right, is simple and holds up on the black AdRamp card. My challenge: the palette shows green and salmon swatches next to the black, but every application tile is black, white or grey. If the accent colours...
Feels like a lot of companies are trying their luck with AI instead of hiring designers right now.
I think it's going to backfire on them in a few months.
Trying to stay optimistic about it.