Hello, World. This video is kind of personal. I stopped making videos ten years ago. I was doing countless corporate gigs, and the whole thing started to feel tedious and soulless. I always wanted to tell stories; that's why I studied filmmaking. Discovering generative AI felt like making my first short film, and playing with it since then has opened up a world of possibilities.

So the story references different stages. The macaw is the public that's apprehensive about AI and doesn't want anything to change. The raccoon is that moment of discovery. The sacred chamber of gods is what I feel right now: both awe and fear of what AI can do, or could become. And being propelled to LA, crash-landing in the mecca of filmmaking, is the cherry on top.

Why a mango tree? We have a macaw at home, and she is so protective of her mango tree. I don't think AI could ever evoke how crazy and loud she screams when an unknown person or animal gets close to it.

Made with CapCut!

#CapCutWorld #CapCutWorldLA #1000WaysToCCW

@CapCut

Making each animal stand for a stage of how you feel about AI is what turns a challenge entry into a short film. The audience follows feelings, not tools. The macaw is the strongest choice because it's real: a sound and a habit you know from home that no prompt would invent. In...

A Halloween type study. One line, eight typefaces, eight ghosts. Each frame holds the same words and composition while the letterform, palette and figure change, from blackletter to dot-matrix to brush script.

I designed every frame in Figma, then used AI image-to-video to hallucinate the transitions between them, so the type melts, drips and reforms into the next face while the ghost dissolves into smoke and re-forms. The result loops like a bad dream that keeps changing its mind.

Made for 31 October.

the dot matrix ghost is my fav