Designed a bold recruitment flyer built to attract qualified professionals and communicate opportunity with clarity.
This project focused on strong visual hierarchy, confident typography, and structured layout to ensure the message is instantly clear: We’re Hiring. The wave elements add movement and approachability, while the icon system keeps roles organized and easy to scan.
Every design decision supports credibility, trust, and action — from headline impact to the clear resume submission call-to-action.
This piece demonstrates my ability to create clean, purpose-driven marketing assets that align brand identity with recruitment goals.
A website hero and motion identity concept for Cycle.
The experience takes the viewer through seven historical eras in one continuous forward journey, while the logo, camera path and core composition remain consistent.
The concept explores how a static identity can become a living digital experience through motion, environment and interaction.
Workflow included Spline, Claude via MCP, Midjourney and SeaDance.
Available for brand identity, motion and digital design projects.
This question has been doing the rounds on X and I have to say, I'm firmly on the other side of that argument. I've always loved seeing typography become part of the artwork rather than just a title sitting on top of it.
So I wanted to put that idea to the test with an imagined album called Nothing Stays Still, inspired by change, fleeting moments and everything in between:)
I played around with the lettering until it felt expressive, a little restless, and inseparable from the photograph.
Because I think badly considered typography is tacky. Typography itself? Give it a chance :)
What's an album cover where the type really makes it for you?