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Pushing the boundaries of AI cinematography with this one. 🎬
AI Safari: A Journey Through the Impossible. 🌍✨
From the lens of an AI Producer. 🎥
AI Content CreationArt DirectionAdobe Premiere ProHiggsfield AIKittlkittlchallengeaivideoreturntonatureAI Video Production
Amazing work sir
thanks @Greg Aquino 🙌
so nature
🍀
Woahhh
🙌 🔥
The 3rd and the 5th clip 💥, wild!
Well being wild was the goal here🌚
love it!!💯
Thanks♥️
Great vibe
thanks😊
The network for creativity
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Creatives on Contra have earned over $150M and we are just getting started
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I used to think the secret to better AI video was writing longer prompts.
This project changed how I approach prompting.
I took one of my actual Seedance 2.5 prompts and broke it apart. What looked like one detailed prompt was actually several different shots, camera movements, actions, and cinematic directions competing for the model's attention.
So I started treating AI video prompts more like shot direction:
SHOT → SUBJECT → ACTION → ENVIRONMENT → CAMERA → MOTION → LOOK → CONSTRAINTS
In this walkthrough, I show the real process, including how I structure the prompt, generate the scene, identify what isn't working, and refine the instructions.
The lesson is simple:
Don't make the prompt longer. Make the instructions clearer.
Think like a director, not a novelist.
https://share.descript.com/view/iYh2ZNB0bt1
https://web.descript.com/3c176614-948b-4aad-81d8-392fd2c09c2d
Thank you!
This one has 3 different animations exploring Promethist’s AI coaching platform, UI, and product features.
I’m also putting together a full case study for this project on Contra, where I’ll show more of the process, from the start to the final animation.
Coming soon.✨
Looks amazing
“A splash of life in a summer landscape.”
For the #FLORAMuseumChallenge, I brought together two Vincent van Gogh paintings from The Met’s public domain collection: Self-Portrait with a Straw Hat and Wheat Field with Cypresses.
https://www.metmuseum.org/art/collection/search/436535
https://www.metmuseum.org/art/collection/search/436532
I have always wondered what it would feel like for Van Gogh to step inside one of his own paintings. Not simply to visit it, but to finally live within the beauty and peace he created for everyone else.
His self-portrait shows a young artist determined to improve, even when he could not afford a model. Just two years later, he painted Wheat Field with Cypresses, which he considered one of his best summer landscapes. He described its cypresses as “a splash of black in a sunny landscape.”
That line became the emotional center of my piece. It felt like more than a description of the painting. It felt like a reflection of his life, carrying so much darkness while still creating something full of color, movement, and light.
Using Flora AI, I imagined him entering that landscape and slowly becoming part of it. A version of paradise where he is no longer restless or fighting to be understood. A place where he can finally see that his work survived, that it mattered, and that the world eventually saw what he was trying to show us.
He never received that peace or recognition during his lifetime.
This is my small way of giving it to him. 🌾
