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Logo Design
Your Mark, Handcrafted.
A logo isn't just a graphic. It's the first thing people see and the last thing they forget. Get it right and it carries your brand for decades. Get it wrong and no amount of marketing fixes it.
Every logo we design starts on paper — hand-drawn, refined, and built with intent. No templates. No clip art. No shortcuts. Just a mark that is uniquely, unmistakably yours. Delivered as clean, scalable vector files ready for print, screen, signage, and everything in between.
We've built marks for travel brands, food labels, tech startups, consulting firms, gaming studios, fashion houses, and more. Nine industries. One standard of craft.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Marigold is a one day concept for envato's human by design challenge. i set the direction in real photography first then generated against that standard.
Client’s choice vs. Designer’s choice 👀
I’m currently working on a branding project for Massage & Mocktails — a concept built around couples learning massage together in a relaxed, social atmosphere.
These are two early, black & white directions from Stage 2 of my branding process, before moving into color, typography, and the full visual system.
The interesting part?
My client chose Concept 1. I chose Concept 2.
Now I’m curious what other creatives think.
Which direction would you choose — 1 or 2? And why?
Sometimes the most interesting part of branding is seeing how differently a client and a designer respond to the same brief.
21 voted
44%
27 voted
56%
48 votes
Closed
Concept 2 for me. That interlocking figure mark reads as two people meeting, which is the actual brief here, so it gives you more to build a system on. Concept 1 is the safer, more literal pick, which is usually why clients reach for it.
A few more pieces from my work on Sync’s identity.
The idea was to give this Greek car rental brand enough polish to sit next to the big names, with a personality of its own.
The pink was already there. I gave it more space and paired it with bold Greek typography and a frame inspired by a car’s side mirror.
Here’s a closer look at how it works across the layouts.
