🎨Art Nouveau Portrait Study — After Alphonse Mucha A personal Art Nouveau study after Alphonse M...🎨Art Nouveau Portrait Study — After Alphonse Mucha A personal Art Nouveau study after Alphonse M...
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🎨Art Nouveau Portrait Study — After Alphonse Mucha
A personal Art Nouveau study after Alphonse Mucha’s Moët & Chandon Crémant Impérial (1899), created as a return to detailed portrait and ornamental illustration.
Rather than aiming for a faithful reproduction, I used Mucha’s original composition and silhouette as a framework while reworking the portrait, foliage, jewellery, costume details and decorative elements through my own drawing and rendering process.
The study became an exercise in rebuilding hand, colour and detail — particularly the balance between the figure, ornament and repeated motifs.
Personal study, 2026.
Original reference: Alphonse Mucha, Moët & Chandon Crémant Impérial (1899), public domain.
I made one Recraft Style that draws press-on nails as if a mineral painter from 1810 had drawn them.
Many people do their nails now: at home, in minutes, a new set whenever they feel like it. Small brands sell them all over TikTok and Pinterest, and they need designs nobody else has. This Style gives them 200-year-old ones.
1. Open the Style and paste: "Five almond press-on nails on cream paper, red jasper with gold veins, one nail with a small gold cabochon." Change "red jasper with gold veins" to try another stone, like "pale pink stone with dark red speckles".
2. Remove the Style, add your drawing as a reference, and paste: "Make these real press-on nails, same colors, white background"
3. Add the set as a reference and paste: "Hands covering the face, wearing these exact nails, red jasper with gold veins, white background"
LOVED THIS ONE! While exploring the Rijksmuseum's public domain collection, I fell for Ohara Koson's quiet woodblock prints of small birds and flowers on soft, misty skies.
I trained a custom Recraft Style on ten of his prints from 1900–1930, cropping away signatures and margins so only his gentle colors, delicate lines and generous empty space remained.
Then I asked: what if his birds moved to the city? I used the Style to design for everyday 2026 life, from a tram wrap and a full-sleeve tattoo to café umbrellas, a building mural and a pedestrian crossing painted as a lily pond.
A century later, Koson's birds are still finding new places to land.
While digging through the Rijksmuseum's public domain collection, I found George Barbier's Falbalas et Fanfreluches, a 1920s almanac of hand-stenciled fashion plates that promised fashions "present, past & future."
I built a custom Recraft Style from 10 of his plates, cropping away captions and borders so only his jewel-toned colors, elegant linework, and
confident Parisiennes remained.
Then I gave Barbier the future edition he never got to make: his women deadlifting, running boardrooms, livestreaming makeup tutorials, swiping through suitors and DJing until dawn.
Each scene is presented as a post on Falbalas, an imaginary 1920s social feed where the admirers are many and the comments are scandalized.
It's a celebration of women taking up space, drawn in the style of an artist who always made them the most powerful people in the room.