El sol que no se fue. In 1913, José Guadalupe Posada drew Mexico's people as elegant skeletons for cheap broadsides printed in Mexico City. I found his calavera prints in the New York Public Library's public domain collection and turned them into a Recraft Style. Then I gave his skeletons a new job, modeling an autumn leather and suede collection where every garment is engraved, painted or embroidered with one chapter of a festival whose sun refused to set. The eight looks walk the runway from golden morning to the first night, and marigold-embroidered tights tie the whole collection together.