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šŖ Everybody tells. Eventually.
Halloween, 2003.
A little girl falls into the quarry above Stonewell.
Her father finds her too late.
At least, that's the story he tells.
Twenty-three years later, he's coming home.
Tonight the town burns its secrets.
And something in a long grey coat is walking the street, reciting his own words back to him.
Its face is a mirror.
š THE HALFWAY
A first-person horror game built in Rive.
Fog, film grain and a flashlight, like the survival horror we grew up on.
A forest where someone keeps calling her name.
A diner that kept its light on.
An old police scanner tape with a two-minute gap.
2:41. She's still talking.
2:43. He's going back down.
Nobody knows what happened in between.
Except him.
In Stonewell, you write down the one thing you can't say out loud, and you burn it at midnight.
So what would you write on yours?
He only came halfway. āØ
š ļø Built in Rive with the CLI, GPU Canvas, Scripting, Data Binding and State Machines.
Enter Stonewell š
https://halfway-ethl6h.rive.to
What would you have done with two minutes?
ā¢ 8h
bro the graphics , the detailing , the storyline
all are peak
ā¢ 8h
looks sick!
Bro ...I don't have words .
ā¢ 2h
This is peak!
ā¢ 2h
What an experience! I loved the overall design but the 3d rendering is just next level
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TreeTop presents: ZOMBIE DROP ā My entry for the Rive Halloween Challenge
Why?
Zombie Drop is a love letter to the first games I ever played, back in those glorious C64 / Nintendo / early PC days.
Part pinball, part Breakout, part Space Invaders, in a 16-bit look and, of course, with zombies and a healthy dose of 80s suburbia tropes.
How?
It started with pen and paper: sketching the basic idea, the rules and the characters.
Then I used Claude Opus 5.5 to work out instructions and a development plan for Claude Code.
The initial build was split into 7 phases, each with its own feedback loops to refine details like dimensions, physics and difficulty progression.
After that came many rounds of pushing and pulling between the Rive Editor and the Rive CLI to refine animations, adjust designs and fine-tune everything.
GPU Canvas was used to create various effects to get those retro member berries extra juicy. The list: pixelation, 16-bit color depth, dithering, color palette rounding and... mosaic transitions.
Most of the development time went into mechanics and difficulty. I wanted a proper highscore chaser, complete with a global leaderboard and those classic three-letter initials to aim for.
Zombie Drop mashes up some well-known games, but I wanted to add a bit of gamer horror to the mix. Your points are never safe.
Some characters will happily take them from you, and the risk grows with every wave. You can lose a huge chunk of your score in a single round, and if you lose your pumpkin at the wrong moment, the horde will rush you and end your run fast.
The cast
šĀ The Kids:Ā Two teenagers defending their house with baseball bats and one pumpkin. They smash the pumpkin into the horde, and it bounces as often as physics allows. Lose it, and they have to carve a new one. That takes time, unless you mash and click like your life depends on it. (It does.)
š§Ā The Zombies:Ā They want the house. Stop them with a pumpkin hit or a friendly swing of the bat. Three zombies inside, game over.
š§Ā The Witches:Ā Zombie bodyguards. Hit one and she smashes the pumpkin right back at you. Fail to block it and you lose points.
š»Ā The Ghosts:Ā Hit one and the house gets a health point back. Spooky AND supportive.
šĀ The Skeletons:Ā Bonus points, and they look funny. Classically creepy, structurally weak. Piles of bones also make excellent distractions for certain four-legged locals.
š“Ā Mr. Sloman:Ā The semi-sprightly neighbour is deeply unimpressed by the zombie invasion. He wanders across the screen, getting slower as the night goes on. He survives several zombie bites, but a pumpkin knocks him flat and costs you points. The later the night, the more it costs. And he can be hit more than once. This can get expensive.
š¤Ā Brad:Ā Brad is annoying. The local bully can't drop the act, not even during the apocalypse (unless a zombie gets him first). If he makes it through the horde to the kids, he costs you points and time. A well-aimed pumpkin or bat solves that.
šĀ Scrabs:Ā A very good boy. The neighbourhood stray has a soft spot for tasty bones, so a nighttime graveyard outing suits him fine. But if no skeleton is keeping him busy, he might just grab your pumpkin. That would be bad.
Play it
Version 1 is live and the leaderboard is open. Grab your bat and kick me out of the top 10.
Below is my best run so far. Do better, I dare you!
š https://www.treetop.at/zombie-drop
PS: For reasons unknown the gpu effects are not working on the rive embedded URL, please visit the link above for the real experience!
Hey this is cool.
Boo's Vigil š»
A small ghost keeping watch over the last light in a graveyard. Shades come out of the fog toward a rotting jack-o'-lantern, and the only defense is a small wisp of fire. Hold its light on them until they burn, collect what they drop to keep the flame alive, and survive as many waves as you can. When the flame goes out, the game ends with a jump scare.
Best with sound on.
Process
I wanted the whole game to have a hand-drawn, retro feel with a slightly dark and quirky atmosphere, so I developed the visual direction around a retro-inspired style: sepia tones, pencil textures, paper grain and the flame as the main warm element against the darkness.
I illustrated the main characters and developed the visual language for the game around them. For Boo, I created a full character sheet with front, side and back views, plus four different expressions. I also designed the Wraith, the larger enemy that appears from wave 3 and in the final scare, along with the visual treatment of the environment and props to make everything feel like it belongs to the same world.
In Rive, each of Boo's expressions is a state in his state machine, so his face reacts to what is happening in the game. He also switches to his side view when moving quickly and turns his back when the light goes out. Both characters are set on image meshes so the cloth, hair and tails move.
The game is written in RML and Luau with the Rive CLI. A WGSL shader on GPU Canvas renders the darkness, the fog and all the light sources. Every enemy is a live artboard instance with its own state machine, and data binding connects the flame, the HUD and Boo's reactions.
The props, music and sound effects started from AI-generated bases, which I adapted to match the drawings so the sepia palette, pencil texture and paper grain stay consistent throughout the game.
Features used: Rive CLI and GPU Canvas.
That was so fun! Loved it.
Halloween Hotel: a crooked Gothic hotel under a giant moon. Click the windows to catch 15 famous monsters mid-routine (Dracula shaving at a mirror with no reflection, the Mummy wrapping himself in toilet paper, the Grim Reaper working the front desk) and find them all before sunrise. Every set of three you finish plays a reward, and finding everyone finally lights up the NO VACANCY sign.
How it was built: I modeled and baked the hotel in Blender, and it runs as real-time 3D (140k triangles) inside Rive's GPU Canvas, with custom WGSL shaders for the sway, the shutters, the neon and the magic. Claude Code and the Rive CLI wrote the scene in RML and the logic in Luau, and checked their own work with --verify and headless screenshots. Data binding drives the guest cards, the tracker and the mobile layout, and state machines run the card, the welcome and the finale. After rive push, I refined it by hand in the Rive Editor.
Features used: Rive CLI + GPU Canvas, plus Scripting, Data Binding and State Machines.
Play it (best on desktop with sound on): https://halloween-hotel.vercel.app
Loved this! I found 14 out of 15. Maybe the flying witch was the 15th and I missed clicking on it. Don't ever remove this! Bookmarked forever!