My Renoise challenge entry is a short cinematic piece about burnout and self-overload. It looks like a rescue thriller at first, but the meaning is simple, sometimes the thing we’re trying to save is ourselves.
I made this because burnout can feel like a silent emergency and with a realization that the real struggle was internal.
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Another day of prioritising the visuals and imagining a company that doesn't exist. I promise the next one is a tech brief with barely any imagery at all, I've leaned hard on beautiful photography for twelve days straight.
Concept: a mycelium materials company producing leather, packaging and foam grown from fungal networks. The design deliberately inverts the category's defaults; biotech branding tends toward dark, clinical and electric blue, so this one goes warm and botanical, with a subtle looping video of spores drifting and mushrooms emerging. The copy pulls hard the other way: plain, technical, B2B-direct, anchored by two concrete numbers instead of sustainability adjectives.
Twelve briefs across travel, food retail, personal branding, events, landscape architecture, pet services, hospitality, coffee, lighting, wellness, restaurants and now biomaterials.
12 down, 18 to go.
Built on the Viper template by Westhill Studio, adapted and customised by me.
Series Title: Zeno: Becoming Human Pilot / Episode Title: First Date I created a short comedy pilot centered on Zeno, an alien trying to pass as a normal human while learning human behavior through observation, bad assumptions, and literal interpretations.
The pilot follows his first date with Belinda, where his attempts to act normal slowly become more suspicious and absurd. I chose this concept because it creates a simple recurring comedy engine. Every episode can place Zeno in a different everyday human situation such as dating, work, friendships, parties, travel, or family life, where he confidently misunderstands the rules.
I wanted the character to feel strange but likable, with the humor coming from his complete confidence that he is blending in successfully, even when everyone around him can clearly tell something is wrong.
The way the letters stretch and reveal themselves in that typography feels almost cinematic. H3 handles motion blur really well for this kind of editorial animation.