I’ve been working on Taste Notes for Hipppo. It turns every reference you save into a small design brief.
Po studies the grid, typography, palette, contrast, composition, mood, and visual complexity using established design principles. You can keep or dismiss his suggestions, helping Hipppo understand what matters to your taste.
The goal is clearer creative direction and less generic AI slop.
The way the letters stretch and reveal themselves in that typography feels almost cinematic. H3 handles motion blur really well for this kind of editorial animation.
The brief for SkyInFashion was three words: luxurious, intentional, editorial.
That's the kind of brief that sounds simple until you're choosing between eight shades of wine red and none of them feel right.
A few decisions that drove the final result:
The deep wine and gold palette wasn't decoration, those tones carry a subconscious weight. Richness, longevity, ceremony. For a brand selling bridal couture and custom tailoring, that association does half the selling before anyone reads a word.
Serif for the headline, clean sans-serif for the service list. Not because it "looks good" but because the hierarchy needs to shift between feeling and function, the headline pulls emotion, the list answers questions.
The image placement was intentional too. Fashion design lives in texture and fabric movement. If you crop that out or compress it badly, you've already failed the client.
Good fashion brand design doesn't just look expensive. It makes the viewer feel like they already trust the quality, before they've even read the contact details.
What's your process when a client gives you a mood-based brief with no visual references?
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