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Cinematic travel vlog edit: story built from raw footage, color grading for a film-like look, atmospheric sound design, music that follows the mood, speed ramps and smooth transitions.
The network for creativity
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Contra Verified project: After Effects and Premiere Pro MOGRT templates for an AI data center.
Logo animation, animated map, lower thirds and stats auto-resize as you type, so the team can edit videos without a motion designer.
for my "3rd" submission i wanted to explore more with the 4-Stepped bar effect with @Invideo , so i made this nice edits
i had different clips i compiled in a compilation video, then placed the effect on the clips to make this edit.
how i did it? (check the comment section below, for my workflow)
Vicky, my Agent Two AI built the bar effect, then i told Vicky to place the bar effect on the first 2 seconds of every incoming clips
i prompted Vicky to build the bars in a rectangular-horizontal box,. with rounded corners.
i also told Vicky to add the SFX Sound you hear as the Bars lands/reveals, and i loved how that sounds lands alongside the bar effect.
❤️my first Contra submission - https://on.contra.com/zkgcpj
❤️my second Contra submission - https://on.contra.com/RdBPjt
N/B: Agent Two, created everything about this video,.. the only thing i did was upload the clips, trim each clips, and added the background song
👉my workflow is in the comment section, check it out to know how i made this edit
here's my workflow of how i made the above video edit in Invideo Editor
A generative ambient station of drones, rain, and distant thunder.
I built this project to test A generative ambient station of drones, rain, and distant thunder. The core engineering challenge was sustaining uncompromised 60 FPS rendering using Web Audio API while handling continuous user interaction without framework overhead.
WHAT I WAS TESTING:
I focused on two core engineering benchmarks:
Continuous algorithmic generative music that never repeats, with sub-bass drone layers
Atmospheric rain, vinyl static, and distant thunder audio synthesis
THE TECHNICAL SIDE:
Built entirely with native Web Audio AudioNodes. Oscillators tuned to just-intonation intervals modulate lowpass filters, while brownian noise generates random rain and thunder rumbles.
Everything executes in the browser using Web Audio API, Generative Ambient Synthesis, Binaural Noise Engine. No third-party frameworks, no heavy runtime bundles, and zero external tracking.
WHAT I LEARNED:
Audio clipping easily occurs when multiple generative sound layers peak concurrently. Implementing a master dynamics compressor node preserved acoustic clarity.
Finding the sweet spot between mathematical precision and frame budget took careful profiling, but the result runs at a steady 60 FPS even on modest hardware.
TRY IT YOURSELF:
The live build is deployed on my JSFiddle. Open it in your browser, test the controls, and observe the render response times.
If you are building high-performance 3D, physics, or creative web systems and want to collaborate, reach out here on Contra.
