The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
⢠Oct 8
What happens when the interface stops behaving like an interface? đI pushed CursedOS another step forward.This time, the focus wasn't on designing another screen or adding more visual effects.It was about making the system respond.The dashboard now has a working interaction layer where the interface can shift between states, trigger motion, and make the âcorruptionâ feel intentional rather than decorative.Under the hood:â Rive State Machines for interactionâ RML-generated UI structureâ WGSL-powered CRT / glitch effectsâ GPU Canvas renderingâ Custom motion statesâ Purpose-built horror UI componentsâ Rive CLI workflowâ Verified build with 0 errors + 0 warningsThe goal is simple:Don't make a Halloween UI that only looks haunted.Make one that behaves haunted. đŠ¸And that's where CursedOS is starting to get interesting.Next, I'm pushing the interaction and presentation further before the final Rive Halloween Challenge submission.Still building. Still breaking the system. đ@Rive#RiveHalloweenChallenge #Rive #CreativeCoding #InteractiveDesign #MotionDesign #WGSL #GPUCanvas #FrontendDevelopment #UIUX
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
The future won't build itself... or will it on this AI era?
Few animations are as fun to animate as this one was. I had the pleasure of working on several case study animations for Juice Agency, and I couldnât be happier with the result. It took real teamwork to get them exactly the way we wanted.
If you run a design studio or are a freelancer and still share your work as still images, let's chat!
We can make all your fantastic designs look even better. đĽ
Great work!
You leaned toward Atmospheric in my last taste test, so I took it beyond the hero.
Hereâs the full homepage for the same fictional lighting studio, with two different scroll experiences: Fluid and Cinematic.
Which one makes you want to keep exploring?
Continuing from this post: https://contra.com/community/KacW2yxF-homepage-design-comparison-product-photography-vs
22 voted
46%
26 voted
54%
48 votes
Closed
I can't recognizable the difference but both of them are great đđ
Credit card landing page design for a fintech startup â an interactive 3D claw machine that turns the offer into the hero instead of another floating card at 15 degrees.
Every card brand ships the same hero: a card hovering over a gradient. Clawd sells one card, not a marketplace, and the entire pitch is "stop comparing â we already did the comparing". So the landing page had to make a single-product offer read as a win rather than a shortage of options, and pull early-access sign-ups from people who are deliberate about money: the ones who actually track spending and read the APR line.
The metaphor does the positioning work. A claw machine that never misses, plus "we already picked the best one", means the visual is the argument and the headline doesn't have to explain itself.
I built the scene in Blender as an interactive element rather than a still render â the claw follows the cursor, the card tilts in the grip, and the pile underneath reacts, so a visitor plays with the product's core idea for a few seconds instead of scrolling past it.
Hero plus full page structure, desktop and mobile designed separately, the Blender scene with web-ready exports, interaction notes, and a developer-ready Figma file.
nice work