After 10 years in advertising, I know exactly what a shoot like this used to cost.
Studio. Lighting setup. Cinematographer. Assistants. Art director on set. Post. By the time you wrapped, you were looking at $1,200 to $2,400 for a single product campaign.
I shot both of these without a studio. Without a crew. Without a cinematographer.
Just the product, my eye, and AI for the renders.
The cost? A quarter of that. Maybe less.
But here's the thing nobody tells you - this isn't something anyone can do. I spent years learning why lenses behave the way they do. How light wraps. What makes a frame feel expensive. That's not AI. That's filmmaking. The tool just lets me execute it alone.
What used to take a full production day now takes me an afternoon. And the output - you can see it.
If you're a D2C brand spending big on product shoots, there's a smarter way to do this now. One that doesn't compromise on quality.
This is what I offer. And it starts at a fraction of what your last shoot cost.
A cinematic AI action concept set in a ruined world.
This piece follows a mechanical girl battling a massive robot through destruction, debris, and high-intensity motion.
For this project, I focused on delivering a film-level visual experience — combining dramatic close-ups, large-scale action, and heavy VFX energy to create a scene that feels intense, immersive, and cinematic.
A concept built around impact, atmosphere, and blockbuster-style storytelling.
This concept captures a chance meeting between two students in an American school setting, turning an ordinary hallway moment into something dramatic and unforgettable.
I wanted to highlight the feeling of suspended time — with floating objects, slow-motion energy, and a romantic, movie-like atmosphere that makes the scene feel both emotional and visually striking.
A concept built around storytelling, cinematic effects, and the magic of a single moment.