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Personal Archive
Personal Archive is an interactive AI‑driven portfolio system that organizes my work into dedicated, fully navigable sections.
The main interface acts as a hub, with reactive neon buttons, animated indicators, and smooth transitions that lead into separate, fully designed pages.
UI/UX Portfolio — a structured portfolio page with six project models. Each project opens into its own detailed view, where the full case can be explored with dedicated navigation (Back to Gallery, Back to Portfolio).
Branding — a brand lab for my Cyber Lemon identity, featuring an animated character, lip‑sync motion, product prints,and a button with a transition to the store window.
AI Art — a generative media archive that presents my AI‑art projects across renders, models, and iterations, all created from my own materials.
Strategy — a product thinking page that outlines my core principles, methods, and approach to building bold, expressive visual projects.
All visuals, motion systems, lip‑sync, video editing, and UI logic are created by me, forming a cohesive AI‑art portfolio and interactive archive rather than a single static page.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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How do you keep a brand's promise of calm intact once real users start clicking through checkout?
Mudita builds minimalist devices around one idea: technology that harmonizes with your life instead of competing for your attention. The brandbook lays that promise out in detail - tone, restraint, what the brand should never feel like. My job was carrying that same discipline into the product itself.
I worked across the checkout flow, the storefront and category browsing, and the product page above the fold - three surfaces where small frictions had quietly built up against the brand's own case for calm. The brandbook gave the rules. The UI work was making sure those rules survived contact with a real cart and a real user.
For the case study visuals, I used AI for the first time to produce product footage 🤖 - wind moving through a scene, an object drifting in place. Higgsfield was genuinely a good way to learn that workflow fast.
Full case study - actual before/after breakdowns - is up on Behance 🔗, linked below.
Genuinely curious where people land on this: generating production assets with AI is fast, and honestly kind of fun as a workflow - but there's real pushback that it's taking work away from people who used to shoot this stuff. Where do you fall on that?
The checkout flow detail is what stands out to me, that's usually where a brand's calm promise turns into three different button behaviors fighting each other. On your AI question, I think it matters less whether it's fast and more who's checking the output against the brand's...
Case study of the animation work I created for RocketSaaS.
epic, the realism of the smoke cloud is phenomenal!
