Archival documentary editing constructed around one pivotal moment: a 911 call from a woman trapped in rising floodwater.

Narration and dialogue drive every beat, cutting to the dispatcher's exact words as they're spoken. Timestamps and key facts land as restrained animated text on the line they're delivered, never before or after. The near-total absence of footage is treated as a design constraint, not a gap: minimal archival stills, textural water and static-radio visuals, and negative space carry the tension the audio can't show. Pacing tightens as the panic escalates, with a held beat of silence before the final line so nothing competes with it.

Built on one grade and one sound palette throughout, so the piece reads as a single sustained moment rather than a sequence of cuts.