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I think its incredible art style placement and espsecially that transition is smooth!
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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retrofuturism
Share your favorite designs from the past exploring the distant future. Or your own take on the aesthetic 🚀
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Dots. Texture. Grain. Let's see your designs using the halftone technique.
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Related posts
Just published our latest work for Quorum!👋
A fresh visual direction, built around the same UI language as the product.
What do you think? 👀
Check it out!
There's a self selection benefit here too. showing the real interface upfront means the people who convert already know roughly what they are walking into. less mismatch between what sold them & what they open on day one which usually shows up later as lower churn
Pipeline view of an agentic fundraising prototype for an AI client built in Framer. Rendered in Ultramock.
I had Claude build out ~800 rows (~50 columns) of dummy contact data in supabase with varying degrees of lead enrichment and match scoring to simulate a live DB connection.
Really enjoying using Claude x Framer. Its truly a superpower for building simulation engines like this.
800 rows of dummy data for a proto, madness
Vestris — from ratified contract to closing-ready, on autopilot
Just wrapped one-week sprint designing the landing page for Vestris, a YC S26 startup automating mortgage title & closing work. Sharing the process because a few things about it were genuinely different from a typical SaaS landing page project.
The brief
Vestris automates the unglamorous middle of a real estate closing — chasing documents, prorating taxes, drafting closing disclosures, coordinating between lender/agents/title company. The founder wanted the site to feel "homey," not like enterprise software — because the buyers here are mom-and-pop title companies, not enterprise IT departments.
Process
2 hero concepts tested in parallel (a quieter parenthetical headline vs. a bold full-width one), each with copy variants, sent as a single comparison sheet rather than one "final" direction — let the founder react to real trade-offs instead of guessing what I meant.
Redesigned the site's core interactive block — an 11-step "how it works" breakdown — three separate times based on live feedback: first a desktop accordion, then a mobile-specific pass (accordions don't compress well under ~380px), then a full restructure into a 2×2 grid after the client flagged the original zig-zag layout for being "repetitive and too long to scroll."
The illustrated hero background (watercolor countryside, cottage) needed to dissolve into the brand's cream background at the edges — but a standard blur/gradient looked flat next to the painterly art style. Built a small custom tool (canvas + JS) that applies ordered Bayer dithering to fade the illustration into the background color pixel-by-pixel instead of blending — it reads as grain, not gradient, and matches the hand-painted texture instead of fighting it. Turned it into a reusable tool with adjustable fade area, blur radius, dot size, and a transparent-overlay export, so it's not a one-off script.
Figma for design, Framer for the build, custom canvas/JS tooling for the image-edge treatment, Midjourney for the base illustrations.
vestris.ai — live now.
I honestly clicked because I saw your name. The process was just as interesting as the final result.
