The design borrows its layout directly from the piece's cleft mouth. Two separate entrances, one for each side of the group, are both rendered in the vessel's darker, turbulent glaze, corridors meant to be walked slowly, carrying in whatever a person brings before the work even begins. These two paths converge into a wide zone of awareness, the room's core, a space that holds the group as they confront and work through what surfaces, together. From there, the space narrows into a smaller, rose toned room of calm, for quiet integration once the work has settled. Finally, a single exit, distinct from the two entrances and opening outward rather than closing inward, lets the group leave carrying what they came with, but changed.