The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Back to feedPost
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Trending
Claude
Claude has entered the design space. How are you using it?
Contra University
Learn from expert creatives how to earn more using next-gen AI tools.
Brand Design
The best brand designers are on Contra. Scroll to see what's trending in brand design. What are you building?
creativeaiflow
Creative AI workflows are evolving. What tools do you use, and what are their strengths and weaknesses?
freelancerlife
Freelancer life is wins, pivots, and everything in between. What’s yours right now?
Related posts
Brown or yellow, which hero wins?
.
.
I am active on X too — share ideas, talk through problems, connect with people doing interesting things - https://x.com/rightnextstep?s=11
28 voted
33%
56 voted
67%
84 votes
Closed
Hero 2 got my upgoat
Accepted into the Contra Labs Network as a Web Designer.
Contra Labs connects top creatives with AI teams training models. As a member, I'll be working on paid projects evaluating and shaping AI-powered creative tools.
I’m excited!
Congratulations 👏
Playing around with a scroll-driven 3D animation in Framer.
The "3D" is actually just a video. The animation was made in Blender (not by me), then I exported it as a video and used a component that syncs the video playback with the scroll position.
Pretty cool way to get a 3D-like effect without embedding a real 3D scene.
The quality might look a bit off in places, but I think that's because the animation itself is pretty fast. I'll probably slow it down and see if that improves it.
I used the same setup for a 73-second Seedance film, with scroll controlling video playback. The tricky part was hiding the seams between generated clips so the scrub still felt continuous.