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I reimagined a historic artwork from The Met’s Open Access collection as a vision of the year 2125.
Instead of simply recreating the original, I explored how its subject, atmosphere, materials, and visual language might evolve in a radically different future. I wanted to preserve the soul of the original artwork while introducing futuristic architecture, fashion, technology, and cinematic lighting.
The project was developed through experimentation and iteration in FLORA, using the original museum piece as the creative foundation.
The result is a dialogue between the past and the future — showing how a work of art created centuries ago might exist in another hundred years.
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The Lover’s Eye was never just a portrait. It was a portrait of a gaze. The art of looking back.
For the #FLORAMuseumChallenge, I chose the 19th-century Lover’s Eye Bracelet, an intimate object featuring a miniature of a loved one’s eye. Pieces like these were worn close to the body so the wearer could imagine their beloved’s gaze resting upon them 👁️
That idea became my creative starting point: what if the gaze that we see in art could be returned?
So I imagined a woman walking through present-day New York wearing the bracelet. As we get closer to the miniature, we find "Ivy" actually looking out from her own time. The person preserved inside the object is suddenly looking back at us, creating a fleeting exchange between past and present.
The engraved name “Ivy” on the back of the actual bracelet became a small but meaningful detail that helped me imagine the story behind the object.
And so I wanted to create something that felt like a visual poem 💛
A gaze captured centuries ago, finding its way back to another pair of eyes.
wow. Love the idea!!
A painting that survived on the one wall still standing, after the house around it was destroyed. The storm it once depicted became real smoke, rising from the same horizon behind it — same place, same hills, same water, but the calm is gone.
I didn't age the painting forward or backward in time. I placed it somewhere that exists in parallel to where most of us are sitting right now — a place where this kind of stillness has been replaced by something else entirely.
Original piece: "Approaching Thunder Storm" by Martin Johnson Heade, 1859, oil on canvas — The Metropolitan Museum of Art (Open Access)
Link: The Inspiration Piece from the Met Museum
Built on FLORA, starting from a static image of the painting, then building the surrounding wall and environment through iterative generation and manual refinement, before animating the final camera move outward.
My submission for the FLORA × The Met Challenge.
This deserves more than just liking, this deserves to be featured! 🏆 Nailing that surreal narrative contrast behind the painting creates such a compelling submission.
"The Seated Giant" is one of Goya's dark prints. Goya’s dark period represents sadness, terror, pessimism, and loneliness.
While I tried to capture that, I also added a touch of hope, showing that hope still exists inside the giant.
I created an interactive hologram room at the museum where visitors try to interact with the giant, though he is reluctant and only interacts occasionally.
i love this concept!