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A man spends every waking moment glued to his phone.
He scrolls endlessly.
Baby influencers dancing for likes. War footage. Accidents. Memes. Viral challenges. Advertisements.
Everything lasts only a few seconds.
Everything feels exactly the same.
His face is expressionless. His thumb moves automatically. Reality has become just another feed.
A notification appears.
"LIVE NOW."
He taps it.
A house is engulfed in flames.
The comment section explodes with emojis, reactions, and people treating the disaster like entertainment.
The camera slowly moves closer.
Standing in front of the burning house is... him.
He watches himself on the livestream, motionless, as his own home burns behind him.
Not a single emotion crosses his face.
Without hesitation, he swipes away the live.
His thumb keeps moving.
He scrolls to the next video.
As if nothing had happened.
Hi,
I'm part of the Renoise team, and I'm thrilled to let you know you've made it through our challenge screening! 🎉
We'd love to invite you to join our Creator Program. As part of this, you'll have the opportunity to earn up to 5,000 credits.
To apply, just head over to:
That is really powerful, nice work
thank u
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
Related posts
My submission for #RenoiseChallenge is a commercial for Veil.
The goal was to make something cinematic with a twist at the end.
Tools used in Renoise: Midjourney, GPT 2, Kling 3.0, Seedance 2.0.
Post-edit in DaVinci Resolve.
Unfortunately couldn't figure out a way to share my canvas workflow, but check out the screenshot in the comments below.
Let me know your thoughts🧠
Advertisement DesignAI Video ProductionAI ArtDaVinci ResolveRenoiserenoisechallengeaigoldaicommercial
Workflow in Renoise
Nice 👍
Recreated Inception's most iconic frames as AI film — entirely in Renoise.
The folding Paris cityscape, the rotating-gravity hallway, the city crumbling into the sea, and the spinning top that never quite stops.
Pipeline: Nano Banana Pro for keyframes → Seedance 2.0 for motion → stitched and graded for that cold IMAX teal. The trick with Inception is that it's set inside dreams, so any surreal instability in the motion reads as intentional dream-logic rather than an AI artifact — it's almost the perfect film to rebuild this way.
This is the follow-up to my Interstellar recreation (2nd place, Contra × CapCut). Building these as a series now.
Curious what scene I should take on next. 👇
So cool
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