ALTR — Alfath Trigantoro
Concept-driven design across UI, branding, and visuals.
New to Contra
ALTR is ready for their next project!
"Karma is a Beach!"
One of my simple yet meaningful projects.
3
234
A logo isn’t finished until it moves.
5 hours well spent.
1
3
117
For me, digital spaces are where technology meets human emotion — shaping interfaces, identities, and experiences as a Web Developer, UI/UX Designer, and Branding Identity Designer at Teknokreasi Republik Indonesia Ltd. Every pixel I craft translates complex systems into intuitive stories people can feel and understand.
At TKRI, creativity moves between logic and imagination. Ideas begin as seeds in data and strategy, then grow through design, code, and collaboration — evolving into solutions that quietly move businesses, institutions, and people forward.
2
188
I led the UI/UX and brand direction for lexelglobal.id (http://lexelglobal.id) — built the site structure, designed scalable and responsive interfaces, and created the logo to lock in a strong visual identity. The whole idea was to make the brand look credible, modern, and easy to interact with while keeping performance and usability solid.
3
342
TANDA is an abstract visual mark inspired by gestures, signs, and human expression. The flowing black strokes create a character-like symbol that feels alive, while the single dot introduces intention—like a pause, a thought, or a moment of meaning. It’s a logo that invites interpretation.
2
320
For GABASSIST, I built every curve and proportion using golden ratio principles to create visual balance that feels natural, intentional, and timeless.
My approach blends strategy, geometry, and storytelling to turn brands into experiences people remember.
2
4
265
I led the UI design and project execution for dgip.go.id (http://dgip.go.id), transforming complex intellectual property services into a more structured, accessible, and user-friendly digital experience.
2
290
I explored how music listening could become more social inside Spotify and noticed a gap in real-time interaction between users. From that insight, I designed and prototyped a chat feature to enhance music sharing and engagement. Interestingly, Spotify later moved in a similar direction, validating the product thinking and user-centered approach behind my concept.
2
2
274
Disconnected — Earth
This piece reflects a world slowly losing its roots — nature fading into shadow, balance drifting out of reach. The red glow carries the last pulse beneath collapse, reminding us that even in disconnection, life refuses to disappear.
“TANDA” stands as a symbol — a trace of existence, proof that something was here, and something still fights to remain.
2
173
Disconnected — Percepction
A space between seeing and doing.
Where perception drifts, and action arrives too late or never at all.
This piece explores the fracture between awareness and response — a modern reflex slowed by noise, distance, and overload. “Percepction” lives as slang between perception and action, a distorted signal of how humans interpret the world but hesitate to move within it.
Not absence.
Just a delay between knowing and becoming.
2
145
Started with a raw concept sketch, translating the idea into symbolic visual elements. Built the globe grid structure, then crafted particle motion to create depth and transition. Finished by integrating typography and refining the composition into a cinematic visual narrative.
2
156
"Taste of The Waves."
What if the wave doesn’t crash — but rises?
I made this to explore tension in stillness.
And I believe it deserves to breathe through motion.
2
67
Why explore repetition in visual systems?
EYECHOES started as a study of symmetry and signal. Two forms. One interaction. Endless echoes.
I pushed geometric repetition until it felt alive — testing rhythm, overlap, and visual tension.
This isn’t just a graphic. It’s a processed system translated into wearable form.
Design stays intentional.
Emotion stays human.
The echo becomes physical.
1
2
65