BR Adarsh Subham
AI Systems & Websites for Agencies and Brands That Scale.
Made a launch film for @unfair.so (http://unfair.so) with zero After Effects. š¬
40 seconds. No cuts. Every pixel is code.
ā Headlines that sharpen out of pixel blocks
ā A blue dither that turns day into night
ā 12 creators firing at the same minute, 1.6K ā 238K views
ā Calm music with the bass stripped out
Built with Claude Opus 5.5 + teaserkit.com (http://teaserkit.com). Self-initiated concept, not a paid client job (yet š).
Which moment would you keep if I cut it to 15 seconds? š
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I made a launch film for heyclicky (the AI buddy that lives on your Mac) as a spec project.
No editor. No After Effects. No timeline.
I gave Claude Opus 5.5 the website, and TeaserKit (teaserkit.com (http://teaserkit.com)) did the directing:
ā read the site and picked the story: "it sees ā it teaches ā it does"
ā found the song's drop and cut every scene on the beat
ā built the motion design from code: one mac window, their real demos inside it
ā checked every frame before rendering
39 seconds. 60 fps. Zero hard cuts.
The little blue pointer is the whole story. Watch where it goes š
Curious how one sentence turns into this? Ask me š
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Claude Opus 5.5 built this motion graphic for me explaining about itself vs adobe after effects
its really so crazy do check it out and lemme know what do you think?
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Same hop. Six worlds.
I made a 33s spec piece for Higgsfield, built around their Genjutsu line: "Keep the motion, change the world."
One ball does the exact same hop-hop-jump through wireframe, clay, neon, paper, ink and 8-bit. The motion never changes, only the world does. The kick drum lands on every bounce, and the HIGGSFIELD letters play a note as the ball lands on them.
Built in code (HTML + GSAP) with Claude, original score, 60fps.
Unofficial and not affiliated. Just a piece I wanted to make.
Which world would you restyle it into next? š
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