Shiva Tripathi
Web Developer & UI Designer
New to Contra
Shiva is ready for their next project!
Most products don’t have a visibility problem.
They have a visual problem.
Because turning one product into real ads means:
❌ Photoshoots
❌ Editing pipelines
❌ Video production
Time, cost… and friction.
So I built Okra Studio.
Try it: https://app.flora.ai/techniques/okra-studio
Upload one image → instantly get:
• 4 high-end ad visuals
• 1 cinematic video ad
Each with a different direction.
Each ready to launch.
No setup.
No waiting.
No production bottlenecks.
Just idea → campaign in seconds.
This is what ad creation should feel like.
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Most people don’t redesign their rooms because they lack clarity.
Not ideas.
You upload one room…
and suddenly you’re stuck between 10 Pinterest styles with no direction.
So I built HOUSE CRAFT.
Upload one room image → get 5 real designer-level concepts instantly:
• Minimal
• Luxury
• Warm & cozy
• Bold & artistic
• Smart & functional
And here’s the twist 👇
It also tells you how much each design would cost.
So you don’t just see options —
you decide smartly.
No guessing.
No overthinking.
No starting from scratch.
Built using FLORA
One room. Five visions. Real decisions.
Try: https://app.flora.ai/techniques/house-craft-8bieam
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Most clothing brands don’t struggle with ideas.
They struggle with execution.
One product =
❌ Photoshoot
❌ Ad creatives
❌ Moodboards
❌ Website visuals
Hours of work… every single time.
So I built something to fix that.
This is OneFit Studio
Upload one clothing image → get a full fashion visual kit instantly:
• Studio model shoot
• Ad poster
• Moodboard
• Catalog image
• eCommerce mockup
No team. No back-and-forth. No wasted time.
Just one input → complete output.
Built using FLORA’s Technique Builder.
Try it here: https://app.flora.ai/techniques/onefit-studio
(https://app.flora.ai/techniques/onefit-studio)This is how fashion workflows should feel —
fast, repeatable, and actually usable.
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🌊 The Bioluminescent Abyss: Building a 3D World with ZERO Assets
What if I told you I built a fully playable, visually stunning 3D underwater exploration game... without using a single image, 3D model, or audio file? Welcome to the Bioluminescent Abyss.
I wanted to push the absolute limits of the modern browser. The challenge? Build an entire ecosystem, complete with post-processing, physics, and a playable submarine, packed entirely into a single, self-contained HTML file using pure code, math, and WebGL.
Play🚀 : https://omma.build/p/webgl-threejs-graphics-programming-exper-8oss00
Here’s how I brought this neon-drenched deep-sea world to life using Three.js, GLSL, and the Web Audio API.
🥊 The Technical Punches (How it works under the hood)
⚡ 15,000 GPU-Accelerated Particles: Animating 15k bioluminescent plankton on the CPU would tank the frame rate. Instead, I injected custom GLSL into the onBeforeCompile hook, offloading the mathematical drift, sway, and wrap-around logic entirely to the GPU. Zero performance drops.
🐍 Custom Vertex Shaders for Organic Life: The "Phantom Ribbon Eels" aren't rigged models. They are simple 2D planes driven by a custom vertex shader that uses sine waves to physically undulate their geometry, making them slither organically through the water.
🔊 100% Synthesized Audio: No MP3s or WAVs here. I built a procedural audio synthesizer using the Web Audio API. It passes a sawtooth oscillator through a 120Hz Biquad lowpass filter, dynamically scaling pitch and volume based on your submarine's throttle to create a muffled, deep-sea engine rumble.
🕹️ Custom Vehicle Controller & Physics: Built a fully responsive 3D submarine with a smooth 3rd-person chase camera. It features mouse-driven steering, dynamic FOV stretching for speed effects, buoyancy bobbing, and a procedural bubble trail system.
🌍 Infinite Procedural Terrain: The 500x500 ocean floor is carved using inline Simplex Noise octaves, generating sprawling dunes and valleys entirely from math.
🧠 Extreme Optimization: Populated the seabed with over 700 coral clusters and 35 glowing jellyfish by aggressively caching shared geometries and MeshStandardMaterials, keeping the VRAM footprint incredibly light while bathed in Unreal Bloom post-processing.
🎬 The Polish
Great tech needs great UX. I wrapped the experience in a 5-second cinematic sweeping camera intro that seamlessly interpolates down to the player's submarine, coupled with a sleek, high-tech HUD that fades in to teach the controls.
💡 The Takeaway
This project is a testament to what's possible when you combine creative coding with deep technical optimization. You don't always need massive asset libraries to build an immersive world—sometimes, all you need is a blank canvas and some math.
Thankyou.
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Learning poster making.
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rate my work!
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Exploring Picsart for ad posters.
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Started learning n8n
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