Seyide Daniel-Peters's Work | ContraWork by Seyide Daniel-PetersSeyide Daniel-Peters
Creative Strategistđ | Brand Designerđ¨
Every design opportunity is a chance for me to turn a strategic idea into something creative that people can feel and communicate with them. đ¨
I created this Porsche 911 GT3 poster in Photoshop, experimenting with composition, visual hierarchy, and the little details that bring a concept to life.
Because creativity without direction is just decoration. The real magic happens when creativity meets strategy â when every element has a purpose.
It's not perfect yet, still learning and experimenting, still pushing my creative limits. The goal is to get better with every design.
Got a brand or project that needs creativity with a strategic edge? Letâs talk. đ¤#CreativeDesign #Photoshop #CreativeStrategy #GraphicDesign ARDA is a contemporary furniture brand creating stylish, functional, and thoughtfully designed pieces for modern homes. The brand combines contemporary design with warmth, comfort, and timeless craftsmanship.
From the typography and earthy palette to the imagery, patterns, and digital applications, every element was designed around one central idea:
The identity starts to come alive beyond the logo.
The goal wasn't simply to create a furniture brand that looks good, but a visual system that communicates comfort, craftsmanship, contemporary living, and intentional design consistently across every interaction.
I think this works particularly well because you're continuing the story you started last week, while also showing potential clients that you're thinking about ARDA as a strategistânot just producing isolated graphics. I didnât use AI to design this.
I used it to think.
A few weeks ago, I created this product-release campaign for Nynth World, a streetwear brand with a dark, rebellious, unapologetic identity.
I wanted the visuals to feel like the brand itselfânot like another generic clothing ad.
So I built the concept around:
â gritty textures
â high-contrast monochrome visuals
â bold, aggressive typography
â surreal character illustrations
â a raw, underground editorial feel
I designed the final pieces in Canva, but the creative direction started somewhere else.
I used ChatGPT as a creative thinking partnerâto explore visual directions, challenge my initial ideas, refine the concept, and figure out how different elements could work together before I touched the canvas.
And that's something I think designers sometimes overlook about AI.
AI isn't only useful for generating images.
It can help you generate possibilities.
It can help you question your first idea, explore different creative directions, develop a visual language, and refine a concept before you start designing.
The designer still makes the decisions
.
The tools simply help you see more possibilities.
For me, that's where AI becomes powerfulânot replacing creativity, but expanding it.
Designed in Canva.
Creative direction developed with AI.
Final decisions made by me.
What do you think?
#GraphicDesign (https://www.linkedin.com/search/results/all/?keywords=%23graphicdesign&origin=HASH_TAG_FROM_FEED) #CreativeStrategy (https://www.linkedin.com/search/results/all/?keywords=%23creativestrategy&origin=HASH_TAG_FROM_FEED) #AIForDesign (https://www.linkedin.com/search/results/all/?keywords=%23aifordesign&origin=HASH_TAG_FROM_FEED) #CanvaDesigner (https://www.linkedin.com/search/results/all/?keywords=%23canvadesigner&origin=HASH_TAG_FROM_FEED) #BrandDesign (https://www.linkedin.com/search/results/all/?keywords=%23branddesign&origin=HASH_TAG_FROM_FEED) #Streetwear (https://www.linkedin.com/search/results/all/?keywords=%23streetwear&origin=HASH_TAG_FROM_FEED) I recently had the opportunity to design a series of pitch decks for an agritech startup. đžđ¤
Like every project, I gave it my allâthinking through the visuals, refining the layouts, and trying to create something that communicated the vision clearly.
In the end, the decks didn't make the cut.
And honestly? That's part of the journey.
One thing I've learned as a designer is that not every piece of work gets approved, but every project leaves you with something valuable. This one challenged me to think beyond making slides look good. It pushed me to dive deeper into storytelling, structure, hierarchy, clarity, and how to present complex ideas in a way that investors can understand within minutes.
Looking back, I can already see things I'd approach differently today, and that's what excites me the most. Every rejection is feedback. Every challenge is another level unlocked.
I'm still proud of the work because it represents where I was at that moment. More importantly, I'm proud of the growth that came from it.
The goal has never been perfection. The goal is to keep improving, keep building, and keep showing up.
On to the next pitch deckâstronger, smarter, and better.
If you're building something ambitious and need a designer who cares about communicating ideas just as much as making them look great, let's connect.
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