Each poster is designed with a slightly different approach. The AKIRA poster is a mixture of the film’s original marketing with elements of my design incorporated where it can fit. I also went for a blue theme rather than the usual red associated with AKIRA in order to sort of challenge myself. Much the same can be said for the C&S poster, which has pixelated design elements usually seen on designs for web3 startups etc. (not something that would really be expected out of a poster for this film). As for the Aftersun design, I’m still experimenting with half-tone techniques and wanted to highlight a nice visual parallel in the film. I own no rights to any of these films — though I do strongly recommend them :)