PROCESS
Every character, location, and prop was built and locked as a separate reference asset before a single shot was generated — a woman, a repairman, two states of one suitcase (dusty arrival, cleaned repair), a hand-stamped punch, two repair tags, and the shop itself — so every shot stayed consistent across the whole film. Camera and lighting were set per shot through a director's panel (genre, palette, lighting, camera movement, lens, focal length, aperture), separate from the prompt describing the action, so neither fought the other. All on-screen text — serial numbers, tag dates, the maker's stamp — was composited in post rather than generated, which is the only reliable way to keep lettering legible across a shot.