A Sri Lankan apparel manufacturer needed a digital presence from scratch, one that could establish credibility with international B2B procurement teams who evaluate multiple suppliers in a single session and make decisions quickly.

The client had no prior web presence and no existing brand guidelines. International buyers make fast assessments based on a site's first impression. If the credibility signals aren't right immediately, attention moves to the next supplier on the list. The design had to build trust from zero, fast, for an audience the client had never directly spoken to.

No existing digital presence

Two audiences with conflicting expectations

Complex operations, limited attention spans

Trust signals foregrounded in the IA

The site was architected so that top-level content answered international buyers' questions first, with deeper content available for stakeholders who needed more.

Photography-led storytelling

No web presence. No brand guidelines. A client operating in an internationally competitive manufacturing sector, where established suppliers already have digital credibility and any new entrant has to prove themselves fast.

The brief was to design a corporate website that could stand alongside global competitors, communicating precision, scale, and export readiness to procurement teams who were likely evaluating multiple suppliers in a single session.

Before touching any visual work, I ran a competitor audit across local Sri Lankan manufacturers and a broader set of internationally recognised suppliers in the apparel supply chain. The pattern that emerged was consistent: certifications, production capacity, client portfolio, and visual quality were the first things an experienced buyer evaluated. If those signals weren’t immediately visible, attention moved elsewhere.

I also looked at what differentiated manufacturers that ranked well with international clients from those that didn’t. The gap was rarely in the actual capability. It was in how clearly and quickly that capability was communicated.

This shaped the entire information architecture before a single layout was sketched.

The landing page went through several design iterations. Early concepts experimented with different entry points: some led with the product, others opened with the manufacturing environment. Feedback came back through the agency layer with each round, and the direction settled on factory and production photography as the primary communication vehicle. Scale before words.

Typography and layout were kept deliberately restrained. The goal was a site that read as operationally precise, structured and professional without feeling cold or inaccessible to the local stakeholders who also needed to feel at home in it.

The engagement ended at design handoff and the site was not built. What follows is the reasoning behind a design, not a claim about traffic it never received.

The most consequential decision was the information architecture. What a procurement officer sees in the first viewport, and what comes next. The instinct in an early design pass is often to lead with something visually arresting. The research pushed firmly against that for this audience.

An international buyer evaluating a supplier is not browsing. They are assessing. They want certifications, capacity numbers, and evidence of an existing client base surfaced immediately, not after a narrative sequence. The alternative was a story-first structure that I considered and set aside. The audience didn’t have the patience for a story until they had already decided the supplier was credible.

The largest gap in this project was the complete absence of input from the actual target audience. I designed for international procurement teams based on competitor research and reasoned assumptions. I never spoke to one. The research gave me a defensible proxy, but a single conversation with someone who actually evaluates manufacturers for a living would have sharpened every decision I made.

The specific thing I would test is the order. I put certifications and capacity first because that is what the competitor set implied a buyer wants, and I still believe it. But it is a belief derived from other people’s websites, not from watching anyone use one. Fifteen minutes with a sourcing manager would either confirm the sequence or invert it, and either answer is worth more than the research that produced it.

The full page as handed over. Scale before words, with the country network and capacity figures reachable without a click.

Type set for scanning, not reading. A buyer comparing suppliers reads headings and numbers, so the scale jumps hard between them and the body copy.

One spacing step, applied everywhere. Consistent rhythm is most of what separates a site that reads as operationally precise from one that reads as improvised.

Editorial photography of people, fabric and machinery, and no stock gradients. The factory floor is the strongest evidence this supplier has, so it carries the page rather than decorating it.

A complete landing page design for a Sri Lankan manufacturer selling into international supply chains, delivered in Figma and ready to build: a restrained navy visual system, and an information architecture ordered around what a procurement officer checks first. For a supplier being compared against four others in one sitting, whether certifications and capacity sit above the fold or three scrolls down is the difference between making the shortlist and not.