A restrained, almost editorial palette. Deep espresso brown as the base, warm bone as the counterweight. No neon, no gradients, no AI-cliché iridescence. The system is built to feel closer to a fashion publication than a tech product. The K-mark frames every image, turning each render into something seen through a lens, not generated in a tab. Type is a clean geometric sans, set tight and confident. Imagery does the emotional work. Cinematic light, real grain, soft motion, faces in shadow. The product is AI. The feeling is film.