Experience as Musical Director and Dance Captain ๐ŸŽถโœจ

Nienke van Horen

As both a Musical Director and Dance Captain, Iโ€™ve gained extensive experience in leading and supporting performers to consistently reach their highest potential. In these roles, I took on responsibility not only for my own performance but also for nurturing the quality and cohesion of the entire cast.
Musical Director on Cruise Ship Contract ๐Ÿšข๐ŸŽค
In addition to performing as the lead singer, I was responsible for maintaining the vocal quality of our entire show ensemble. I closely monitored each performance, recording and reviewing specific points like pitch, harmony balance, timing, pronunciation, and articulation. Based on my observations, I scheduled targeted rehearsals to address these areas, often resolving issues with brief feedback or in-depth practice sessions.
Sound quality was another essential focus of my role. ๐ŸŽ›๏ธ I led sound checks and coordinated with our sound technician to ensure optimal sound for both the performers on stage and the audience. When working with our live band ๐ŸŽน๐Ÿฅ, I conducted rehearsals to finalize tempos, dynamics, and cues before each show. If any adjustments were needed, I guided the singers and band members through the necessary changes, ensuring we delivered our best every time.
Dance Captain in Munichโ€™s Variety Theatre ๐ŸŽญ๐Ÿ’ƒ
Originally, a colleague held the position of Dance Captain. When she had to step down due to injury, our Creative Director offered me the role. Despite initial doubts (as I donโ€™t identify as a dancer), he reassured me that my leadership skills were the true asset needed. Embracing the challenge, I developed and documented clear cut-show schedules ๐Ÿ—’๏ธ to prepare our team for last-minute adjustments, especially during a busy winter season when cast members were frequently out sick.
Throughout the season, I maintained high standards by assessing show recordings ๐Ÿ“ฝ๏ธ and refining performance quality as needed. Later, we had additional performances with a new cast of mostly circus artists ๐ŸŽช with limited dance experience. I was responsible for teaching them the choreography in a short timeframe, guiding them through the routines, and being available for any support they needed.
What Iโ€™ve Learned Through These Experiences ๐ŸŒŸ
- Leadership โ€“ Iโ€™ve learned to lead by example and empower others to reach their best. ๐Ÿ™Œ
- Positive Energy โ€“ Bringing an uplifting and supportive energy into the room directly impacts both the quality of the performance and the performersโ€™ self-confidence. ๐Ÿ˜Š
- Adaptability โ€“ Thereโ€™s no one-size-fits-all approach for individuals or team dynamics. Iโ€™ve learned to communicate openly and invite two-way feedback ๐Ÿ”„ to ensure everyone feels heard and valued.
- Teamwork is Essential โ€“ Even as a leader, Iโ€™ve found that teamwork is the foundation of a successful performance. When we co-create, magic happens. ๐Ÿ’ซ
- A Keen Eye and Ear โ€“ Through observing countless performances, Iโ€™ve developed an instinct for what resonates both on stage and with audiences, which helps me make impactful choices in vocal and performance coaching. ๐Ÿ‘‚๐Ÿ‘€
In both roles, I balanced performance quality with team leadership, consistently aiming for excellence. This experience directly supports my work in vocal empowerment coaching, as Iโ€™ve developed a nuanced understanding of vocal performance, teamwork, and the power of clear, confident leadership in bringing out the best in every performer.
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Posted Nov 11, 2024

Directed vocal and performance quality as Musical Director & Dance Captain, applying skills in leadership and teamwork to empower others in vocal coaching ๐ŸŽค

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