Introduction to Guitar

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Ako imate gitaru trebate kupiti štimalicu digitalnu.Košta oko 15 eura ili možete štimati na guitar tuner na mobitelu (ali mora biti tišina)u obliku aplikacije za androide (google play) i za IOS (app store). Napomena: postoji i drugi načini štimanja gitara koji nisu ovdje navedeni a koje osobno i preferiram. Thank you very much! još nešto o sviranju ovdje: guitarinform wixsite

Prva i zadnja žica bi trebale štimati ako je dobro uštimana gitara. Suzvučje (e1 i e6). Prvi i najlakši akord za sviranje je Em (E mol/E minor). S prvim akordom bi trebalo ići i prvo trzanje (strumming).

Neki osnovni akordi su C,D,E,F,G,A,H. u duru i molu. Uvijek prije sviranja preporučujem pažljivo slušanje. Ja sam old school gitarista ali preporučujem i novije pristupe uključujući i shredanje i koncentriranje na solo izvedbu na gitari. Možda bi idealno bilo svirati na stari način uz implementaciju solo dionica iz obrade koju se svira ali da postoji i prostor za improvizaciju.

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Chat GPT answer on question: what is guitar? The guitar is a musical instrument that typically features six strings stretched across a hollow wooden body. It is played by plucking or strumming the strings with the fingers or a pick. The guitar is known for its versatility and is used in various musical genres, including rock, pop, jazz, and classical. It produces sound by the vibration of the strings, which is amplified by the body of the instrument. Guitar playing involves a combination of techniques, such as fretting notes on the fingerboard, bending strings, and using different chord shapes and scales to create melodies and harmonies.

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An acoustic guitar is a musical instrument in the string family. When a string is plucked, its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. The original, general term for this stringed instrument is guitar, and the retronym 'acoustic guitar' distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4.

Guitar strings may be plucked individually with a pick (plectrum) or fingertip, or strummed to play chords. Plucking a string causes it to vibrate at a fundamental pitch determined by the string's length, mass, and tension. (Overtones are also present, closely related to harmonics of the fundamental pitch.) The string causes the soundboard and the air enclosed by the sound box to vibrate. As these have their own resonances, they amplify some overtones more strongly than others, affecting the timbre of the resulting sound.

The guitar likely originated in Spain in the early 16th century, deriving from the guitarra latina. Gitterns, (small, plucked guitars) were the first small, guitar-like instruments created during the Spanish Middle Ages with a round back, like that of the lute. Modern guitar-shaped instruments were not seen until the Renaissance era, when the body and size began to take a guitar-like shape. A reconstruction of a medieval gittern, the first guitar-like instrument The earliest string instruments related to the guitar and its structure were broadly known as vihuelas within Spanish musical culture. Vihuelas were string instruments that were commonly seen in the 16th century during the Renaissance. Later, Spanish writers distinguished these instruments into two categories of vihuelas.

The vihuela de arco was an instrument that mimicked the violin, and the vihuela de Penola was played with a plectrum or by hand. When it was played by hand it was known as the vihuela de mano. Vihuela de mano shared extreme similarities with the Renaissance guitar as it used hand movement at the sound hole or sound chamber of the instrument to create music. By 1790 only six-course vihuela guitars (six unison-tuned pairs of strings) were being created and had become the main type and model of guitar used in Spain. Most of the older 5-course guitars were still in use but were also being modified to a six-coursed acoustical guitar. Fernando Ferandiere's book Arte de tocar la Guitarra Española por Música (Madrid, 1799) describes the standard Spanish guitar from his time as an instrument with seventeen frets and six courses with the first two 'gut' strings tuned in unison called the terceras and the tuning named to 'G' of the two strings. The acoustic guitar at this time began to take the shape familiar in the modern acoustic guitar. The coursed pairs of strings eventually became less common in favor of single strings. Finally, circa 1850, the form and structure of the modern guitar are credited to Spanish guitar maker Antonio Torres Jurado, who increased the size of the guitar body, altered its proportions, and made use of fan bracing, which first appeared in guitars made by Francisco Sanguino in the late 18th century. The bracing pattern, which refers to the internal pattern of wood reinforcements used to secure the guitar's top and back to prevent the instrument from collapsing under tension,[ is an important factor in how the guitar sounds. Torres' design greatly improved the volume, tone, and projection of the instrument, and it has remained essentially unchanged since.

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An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.

History The "Frying Pan", 1932 Many experiments with electrically amplifying the vibrations of a string instrument were made dating back to the early part of the 20th century. Patents from the 1910s show telephone transmitters were adapted and placed inside violins and banjos to amplify the sound. Hobbyists in the 1920s used carbon button microphones attached to the bridge; however, these detected vibrations from the bridge on top of the instrument, resulting in a weak signal. Electric guitars were originally designed by acoustic guitar makers and instrument manufacturers. The demand for amplified guitars began during the big band era; as orchestras increased in size, guitar players soon realized the necessity in guitar amplification and electrification. The first electric guitars used in jazz were hollow archtop acoustic guitar bodies with electromagnetic transducers. The first electrically amplified stringed instrument to be marketed commercially was a cast aluminium lap steel guitar nicknamed the "Frying Pan" designed in 1931 by George Beauchamp, the general manager of the National Stringed Instrument Corporation, with Paul Barth, who was vice president. George Beauchamp, along with Adolph Rickenbacker, invented the electromagnetic pickups. Coils that were wrapped around a magnet would create an electromagnetic field that converted the vibrations of the guitar strings into electrical signals, which could then be amplified.

Commercial production began in late summer of 1932 by the Ro-Pat-In Corporation (Electro-Patent-Instrument Company), in Los Angeles, a partnership of Beauchamp, Adolph Rickenbacker (originally Rickenbacher), and Paul Barth. In 1934, the company was renamed the Rickenbacker Electro Stringed Instrument Company. In that year Beauchamp applied for a United States patent for an Electrical Stringed Musical Instrument and the patent was later issued in 1937. By the time it was patented, other manufacturers were already making their own electric guitar designs. Early electric guitar manufacturers include Rickenbacker in 1932; Dobro in 1933; National, AudioVox and Volu-tone in 1934; Vega, Epiphone (Electrophone and Electar), and Gibson in 1935 and many others by 1936. Electro-Spanish by Ken Roberts, 1935 By early-mid 1935, Electro String Instrument Corporation had achieved success with the "Frying Pan", and set out to capture a new audience through its release of the Electro-Spanish Model B and the Electro-Spanish Ken Roberts, which was the first full 25-inch scale electric guitar ever produced. The Electro-Spanish Ken Roberts was revolutionary for its time, providing players a full 25-inch scale, with easy access to 17 frets free of the body.Unlike other lap-steel electrified instruments produced during the time, the Electro-Spanish Ken Roberts was designed to play while standing upright with the guitar on a strap, as with acoustic guitars. The Electro-Spanish Ken Roberts was also the first instrument to feature a hand-operated vibrato as a standard appointment, a device called the "Vibrola," invented by Doc Kauffman. It is estimated that fewer than 50 Electro-Spanish Ken Roberts were constructed between 1933 and 1937; fewer than 10 are known to survive today. The solid-body electric guitar is made of solid wood, without functionally resonating air spaces. The first solid-body Spanish standard guitar was offered by Vivi-Tone no later than 1934. This model featured a guitar-shaped body of a single sheet of plywood affixed to a wood frame. Another early, substantially solid Spanish electric guitar, called the Electro Spanish, was marketed by the Rickenbacker guitar company in 1935 and made of Bakelite.

By 1936, the Slingerland company introduced a wooden solid-body electric model, the Slingerland Songster 401 (and a lap steel counterpart, the Songster 400) Gibson's first production electric guitar, marketed in 1936, was the ES-150 model ("ES" for "Electric Spanish", and "150" reflecting the $150 price of the instrument, along with matching amplifier). The ES-150 guitar featured a single-coil, hexagonally shaped "bar" pickup, which was designed by Walt Fuller. It became known as the "Charlie Christian" pickup (named for the great jazz guitarist who was among the first to perform with the ES-150 guitar). The ES-150 achieved some popularity but suffered from unequal loudness across the six strings. A functioning solid-body electric guitar was designed and built in 1940 by Les Paul from an Epiphone acoustic archtop as an experiment. His "log guitar" — a wood post with a neck attached and two hollow-body halves attached to the sides for appearance only — shares nothing in common for design or hardware with the solid-body Gibson Les Paul, designed by Ted McCarty and introduced in 1952. The feedback associated with amplified hollow-bodied electric guitars was understood long before Paul's "log" was created in 1940; Gage Brewer's Ro-Pat-In of 1932 had a top so heavily reinforced that it essentially functioned as a solid-body instrument.

A concert is a live music performance in front of an audience.The performance may be by a single musician, sometimes then called a recital, or by a musical ensemble, such as an orchestra, choir, or band. Concerts are held in a wide variety and size of settings, from private houses and small nightclubs, dedicated concert halls, amphitheatres and parks, to large multipurpose buildings, such as arenas and stadiums. Indoor concerts held in the largest venues are sometimes called arena concerts or amphitheatre concerts. Informal names for a concert include show and gig.

Regardless of the venue, musicians usually perform on a stage (if not actual then an area of the floor designated as such). Concerts often require live event support with professional audio equipment. Before recorded music, concerts provided the main opportunity to hear musicians play. For large concerts or concert tours, the challenging logistics of arranging the musicians, venue, equipment and audience (ticket sales) are handled by professional tour promoters.

History While the first concerts did not officially appear until the late 17th century, similar gatherings had been around throughout the 17th century at several European universities, such as Oxford and Cambridge. Officially, though, the first public concerts that required an admission were created by the English violinist, John Banister. Over the next few centuries, concerts began to gain larger audiences, and classical symphonies were very popular. Finally, after World War 2, these events changed into the modern concerts that take place today. An example of an early, post-WW2 concert is the Moondog Coronation Ball. 17th century Concert, by Italian baroque artist Bernardo Strozzi (circa 1630/1631) The first known occurrence of concerts where people are charged admission took place at violinist John Banister's home in Whitefriars, London in 1672. 6 years later in 1678, a man by the name of Thomas Britton held weekly concerts in Clerkenwell. However, these concerts were different. Before, you had an admission that you paid upon entering the building where the concert was held but at Britton's concerts, patrons purchased a yearly subscription to come to the concerts. At 10 shillings a year, people could see as many concerts they wanted to. In addition to holding concerts at certain venues, concerts also went to the people. In 17th century France, concerts were performed in the homes of the nobility, for only the nobility. Organized by Anne Danican Philidor, the first public concerts in France, and arguably the world, were the Concerts Spirituels. These concerts were held on religious holidays when the Opera was closed and served as a model for concert societies all over the world. 18th century In the late 18th century, music from the likes of Haydn and Mozart was brought and performed in English concerts. One notable work from Haydn performed at these concerts was his set of 12 symphonies, also referred to as the London Symphonies. Concerts reflecting the elegance of England during the time period were held at the gardens of Vauxhall, Ranelagh, and Marylebone. The musical repertoire performed at these events ranged from works composed by young Mozart, to songs that were popular in that time period.