An eight-inch porcelain figure learns by Becca CollierAn eight-inch porcelain figure learns by Becca Collier

An eight-inch porcelain figure learns

Becca Collier

Becca Collier

An eight-inch porcelain figure learns to move.
OFF THE PEDESTAL — HARLEQUINA 1763/2027
Her pose once suggested movement. In 2027, she completes it.
For the FLORA Museum Challenge, I chose Harlequina, a ca. 1763 hard-paste porcelain figure modeled by Franz Anton Bustelli for the Nymphenburg Porcelain Manufactory.
What stopped me was not only the diamond-patterned costume, but the body language: the raised wrist, tilted head, folding fan, and elegant S-curve that already feels like a dance paused in the middle of a gesture.
I reimagined her as a human-scale 2027 couture performer:
• Painted diamonds became articulated glazed porcelain tesserae • The molded white skirt became translucent organza • The painted botanical border became silk and small porcelain petals • The folding fan became smoked glass
In FLORA, I began with four Open Access views of the original object and explored three distinct material directions: Articulated Porcelain, Porcelain Bloom, and Smoked Glass Harlequin.
The final design combines the strongest elements of each: the ceramic structure of the first study, the botanical restraint of the second, and the darker museum atmosphere of the third.
The final moment completes Bustelli’s implied movement. Harlequina lowers her hand, steps off the porcelain plinth, and walks forward.
Created and iterated in FLORA.
#FLORAMuseum #FLORAMuseumChallenge #ArtDirection #DigitalCouture For #FLORAMuseum, I reimagined Franz Anton Bustelli’s 1763 Harlequina as 2027 couture—glazed ceramic tesserae, translucent organza, porcelain petals, and a smoked-glass fan.
Built in @floraai.
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Posted Sep 7, 2026

An eight-inch porcelain figure learns to move. OFF THE PEDESTAL — HARLEQUINA 1763/2027 Her pose once suggested movement. In 2027, she completes it. For the F...

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