Freelance Motion Designers in Uttar Pradesh

Freelance Motion Designers in Uttar PradeshFreelance Motion Designers in Uttar Pradesh

Projects People

Pradyumn Pandey

Video Editing & Thumbnail design for social media

$5k+: Earned

6x: Hired

5.0: Rating

27: Followers

Top

Video Editing & Thumbnail design for social media

Cover image for Video Editing Package For Cole Gonzales

Video Editing Package For Cole Gonzales

2

636

Cover image for Short Form Video | Typography | 3D Camera

Short Form Video | Typography | 3D Camera

0

391

Cover image for Short form video for Reels/Tiktok

Short form video for Reels/Tiktok

1

659

Cover image for Travel Reels for Instagram

Travel Reels for Instagram

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452

Motion Designer(2)

Varanasi, India

Video Editor for Creators & Brands | Motion & Storytelling

5.0: Rating

5: Followers

Video Editor for Creators & Brands | Motion & Storytelling

Real Estate Brand Video — Rhealogix (Client: Camulo) One-line caption: Turned a raw real estate walkthrough into a polished brand video for Rhealogix — full edit, carousel-style sequencing, custom typography, sound design, and a licensed BGM bed, cut in Premiere Pro and finished in After Effects. Project Overview Camulo brought me raw, unedited footage shot for their client Rhealogix, a real estate agency scaling up its listings and brand presence. The brief was simple on paper and demanding in practice: take unstructured raw clips and turn them into a single, upload-ready video that could sell the agency's properties and professionalism in the first three seconds of a scroll. No shot list, no pre-cut sequence — just raw footage and a goal. My Role I handled the edit end-to-end: story structuring, clip selection, carousel-style visual pacing, typography and on-screen text system, sound design, BGM sourcing and licensing check, and final color/export. Everything below is the actual workflow I ran, not a template — this is how I work on every real estate/brand edit. Workflow 1. Footage Triage (Premiere Pro) Before touching the timeline, I logged every clip: usable vs. unusable, best take per shot, and which clips had clean audio vs. needed replacement. Real estate raw footage almost always has three problems — shaky handheld transitions between rooms, inconsistent exposure between interior and exterior shots, and dead air. I flagged all three per clip so I wasn't discovering them mid-edit. 2. Structuring the Story, Not Just the Rooms Instead of cutting room-by-room in the order it was shot, I rebuilt the sequence around a viewing logic: exterior/curb appeal → entry → living/common spaces → kitchen → bedrooms → closing wide shot. This carousel-style sequencing mirrors how a buyer would actually want to "walk" a property, and it's the difference between a video that feels like raw footage and one that feels art-directed. 3. Clip Selection Criteria For every room, I usually had 3–6 takes. I selected based on: Stability — no handheld drift, prioritized gimbal/tripod shots Light — matched or gradeable exposure across cuts to avoid a jarring bright-to-dark jump Framing — wide establishing shot first, then a detail cutaway (fixtures, finishes, natural light sources) to hold attention Pacing fit — shorter clips for high-energy sections (exterior, kitchen), slightly longer holds for spaces meant to feel premium (living room, master bedroom) 4. Typography System (After Effects) Built a consistent on-screen text system rather than one-off titles — same type family, same entrance/exit animation logic, same safe-zone positioning — so labels (room names, square footage, key features) read as a designed system, not scattered captions. Typography was animated with eased motion (no default AE keyframe snapping) to match the pacing of the cuts underneath it. 5. Motion Graphics (After Effects) Beyond text, I built light supporting graphics — lower-third style property details, subtle transition wipes between sequences, and a closing end-card with agency branding. Kept motion graphics restrained: the property is the content, graphics support it without competing for attention. 6. Sound Design Sound design here isn't just "add music." I built a layered audio bed: Subtle ambient room tone/whoosh on transitions to smooth hard cuts Light foley-style accents on key motion graphic entrances BGM ducked under any retained natural audio so nothing fights for attention 7. BGM Selection Sourced a copyright-free BGM track matched to the pacing and tone of the property (calm, upscale, unobtrusive — not stock-corporate). Checked licensing terms before locking it in, since this was a client deliverable meant for public upload, not just internal review. 8. Final Pass & Export Full watch-through for pacing, audio levels, and color consistency across cuts, then exported to spec for the client's upload destination. Tools Used Adobe Premiere Pro · Adobe After Effects · Copyright-free BGM licensing Skills Demonstrated Video editing · Motion graphics · Typography/title design · Sound design · Real estate/brand video · Carousel-style sequencing · Client raw-footage-to-delivery workflow Suggested Hashtags #VideoEditing #RealEstateVideo #PremierePro #AfterEffects #MotionGraphics #SoundDesign #TypographyDesign #BrandVideo #VideoEditor #ContraPortfolio #RealEstateMarketing #VisualStorytelling #PostProduction #VideoProduction #CreativeEditing

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23

Cover image for The Good Self | Premium

The Good Self | Premium Brand Commercial Project Overview The Good Self, a Hyderabad-based wellness brand, approached me to edit a premium 30-second advertisement from more than 200 raw clips. The footage consisted of multiple takes and camera angles for almost every dialogue, making the primary challenge less about editing and more about identifying the strongest visual narrative. Rather than starting on the timeline immediately, I first reviewed every clip individually and grouped them based on performance quality, camera composition, continuity, eye-line consistency, and emotional delivery. This reduced the footage into a curated selection that became the foundation of the edit. My Editing Process 1. Footage Audit & Shot Selection Reviewed 200+ raw clips. Compared multiple performances for every sentence. Selected shots based on delivery, framing, continuity, and brand appeal. Eliminated redundant or visually repetitive takes before editing began. 2. Story Structure Instead of arranging clips chronologically, I rebuilt the sequence around visual momentum. Every cut was chosen to naturally guide the viewer's attention while maintaining clarity of the product message. 3. Pacing & Rhythm The objective wasn't to create a flashy social media edit. The brand required a premium, modern aesthetic, so pacing was carefully controlled with purposeful cut points, breathing room, and visual contrast to maintain engagement without overwhelming the viewer. 4. Motion Graphics Motion graphics were intentionally minimal. Text animation, transitions, and graphic elements were introduced only where they strengthened communication or enhanced product emphasis, allowing the visuals to remain clean and sophisticated. 5. Sound Design Every sound effect was layered to reinforce movement and visual actions rather than simply filling silence. Whooshes, impacts, risers, and ambient textures were synchronized with transitions and key product moments to create a polished cinematic experience. 6. Brand Consistency Typography, timing, spacing, logo animation, and overall visual language were kept consistent throughout the commercial to ensure it aligned with The Good Self's premium brand identity. Tools Used Adobe Premiere Pro Adobe After Effects Photoshop (asset preparation) Professional SFX Library Collaboration The project was completed through multiple feedback iterations within one week. Throughout the process, I maintained close communication with the client, refining timing, shot choices, and visual flow until the final edit matched their creative vision. Outcome The final commercial transformed over 200 raw clips into a cohesive 30-second advertisement with strong pacing, premium aesthetics, and clear storytelling. The client was highly satisfied with the result and left positive feedback after project completion. Skills Demonstrated • Footage Curation • Multi-Camera Editing • Narrative Sequencing • Commercial Video Editing • Motion Graphics • Sound Design • Visual Storytelling • Brand Advertising • Adobe Premiere Pro • Adobe After Effects • Client Collaboration

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27

Cover image for This podcast editing sample features

This podcast editing sample features a two-time former Mr. USA, showcasing a cinematic 1-minute teaser followed by a professionally edited 5-minute podcast segment. Every aspect of the edit was completed in Adobe Premiere Pro, with a strong focus on audience retention, storytelling, and premium visual quality. The intro is designed to hook viewers within the first few seconds using fast-paced editing, dynamic camera cuts, cinematic B-roll, motion graphics, engaging captions, seamless transitions, and immersive sound design. The full podcast edit maintains a natural conversational flow while enhancing key moments through strategic pacing, visual storytelling, and polished post-production. If you're looking for a professional podcast video editor specializing in YouTube podcasts, teaser trailers, long-form podcast editing, cinematic intros, motion graphics, and high-retention content, this sample demonstrates my editing approach from start to finish. #PodcastEditor #PodcastEditing #VideoEditor #YouTubeEditor #LongFormEditing #PodcastProduction #AdobePremierePro #PremierePro #MotionGraphics #CinematicEditing #YouTubePodcast #ContentCreator #VideoEditing #AudienceRetention #Storytelling #ProfessionalEditor #PodcastTeaser #ReelsEditor #EditingShowreel #PostProduction

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79

Cover image for High-Impact Instagram Video Project

High-Impact Instagram Video Project

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10

Motion Designer(20)

I create SaaS videos that drive clarity, action and growth

1x: Hired

5.0: Rating

29: Followers

I create SaaS videos that drive clarity, action and growth

Cover image for Everyone talks about computers exploding

Everyone talks about computers exploding during renders. Nobody talks about the mind exploding while crafting a high-converting storyboard. I just want to say one thing: Before jumping into animation, having a clear approach is far more important. Start with a storyboard or simply write down your ideas before you animate anything. Because what if your animation looks absolutely beautiful... ...but fails to explain the product? Or worse, it generates zero conversions when used as a SaaS explainer ad. Great animation catches attention. A great storyboard drives understanding, trust, and conversions. #SaaS #SaaSMarketing #B2BMarketing #Startup #TechStartup #Founder #StartupFounder #ProductMarketing #GrowthMarketing #DemandGeneration #CustomerAcquisition #ProductLedGrowth #ExplainerVideo #VideoMarketing #ConversionRateOptimization

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196

Cover image for New work: TaskyAI — SaaS

New work: TaskyAI — SaaS demo (spec edit) 🎬 I think most SaaS demos lose the viewer before the value lands. So I rebuilt one to prove the opposite is possible. I took TaskyAI — an AI-powered task manager — and edited a demo around a single goal: make you understand the product fast enough to want it. What I focused on: → UI-first storytelling — zoom, highlight, and flow that pull your eye to the feature that matters → Retention pacing — no dead air, every second earns the next → Premium-but-minimal motion — clarity over flash, always Tools: Premiere Pro, After Effects, Figma This is the kind of edit I build for SaaS teams who want their product to feel as good as it actually is. Open to SaaS demo + explainer projects right now. If your product deserves a better video, let's talk. 👇

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159

Cover image for Built this dynamic 3D SaaS

Built this dynamic 3D SaaS dashboard entirely in code—no video loops. ⚡️ The Stack: Three.js & WebGL: Generative 3D ring and glowing orb. Vanilla JS: Custom distance math for the dynamic lighting. Advanced CSS: Crystal-clear glassmorphism. High-converting UI isn't flat.

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274

Cover image for Complex software requires clean communication.

Complex software requires clean communication. For this project, I intentionally moved away from traditional, fast-paced motion graphics. Instead, I focused on extreme minimalism, designing a visual flow that feels more like a seamless, premium slide presentation than a standard video. By stripping away the noise and focusing on a highly minimalist aesthetic, the core message of the product is able to take center stage. This approach is perfect for brands looking to communicate their value with sophistication and absolute clarity. #SaaSMarketing, #B2B, #DesignStrategy

1

155

Motion Designer(13)

Freelance Motion Designer | Explainer Videos for Startups

$1k+: Earned

3x: Hired

5.0: Rating

7: Followers

Freelance Motion Designer | Explainer Videos for Startups

Cover image for Sero - Explainer Video

Sero - Explainer Video

1

8

Cover image for This work was done in

This work was done in collaboration with @Kailash S R where he worked on the storyboard and I did the animation for SERO. The project was urgent and the first delivery was given within 4 days.

2

99

Cover image for Core DAO Videos

Core DAO Videos

0

5

Zenegy Logo Animations

0

7

Motion Designer(13)

Signa Creatives

We build the product and the story that sells it.

New to Contra

We build the product and the story that sells it.

Cover image for
A 35-second Short built as

A 35-second Short built as a proof-of-craft piece: editing advice for other editors, delivered in the format it's teaching. Fast cuts, kinetic captions, on-screen demonstration of the technique being described — the edit is the argument. Delivered: short-form edit, kinetic captions, motion titles, vertical cut. #videoediting #motiongraphics #aftereffects #videoeditor #editingtips

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52

Cover image for Athlete Training Film — Motion

Athlete Training Film — Motion Graphics & Cinematic Edit A short-form hype film following an athlete's training arc through to competition. Built on rhythm — cuts matched to the beat, speed ramps on peak effort moments, and kinetic titles that hit on impact. Motion graphics carry the intensity where footage alone can't: stat overlays, countdown/round cards, and graphic transitions between training and competition. Graded for contrast and grit. Delivered: full edit, motion titles, stat overlays, sound design, platform cuts.

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65

Cover image for Personal Finance Podcast — Sizzle

Personal Finance Podcast — Sizzle Edit & Motion Graphics A sizzle cut from a long-form personal finance interview, built to sell the full episode in under a minute. Answers were pulled from across the conversation and re-sequenced into a rapid-fire Q&A — debit vs. credit, where to invest first, whether homeownership still makes sense, who pays on the first date. The motion work does the structural lifting: animated question cards to frame each beat, kinetic captions to hold attention through talking-head footage, and hard cuts timed to punchlines. Vertical and horizontal cuts delivered for multi-platform posting. Delivered: sizzle edit, animated question cards, kinetic captions, motion titles, platform cuts (YouTube / Reels / Shorts).

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70

Cover image for India's Pharmacy Paradox — Data

India's Pharmacy Paradox — Data Explainer with Motion Graphics A short-form data documentary on India's pharmaceutical contradiction: it manufactures a third of the world's pills and 70% of its vaccines, yet 60% of Indian healthcare spending still comes straight out of people's pockets. The script moves fast and every beat is a statistic, so the motion work had to carry the argument, not just decorate it — timeline sequences for the 1970 patent shift, comparative bar and share visualizations for global supply, and stark ratio graphics for the doctor shortage. Restrained editorial palette, no gimmicks, pacing built so each number lands before the next arrives. Delivered: full edit, animated data visualizations, timeline and infographic sequences, motion titles, captions.

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73

Motion Designer(7)

Ghaziabad, India

Product Designer & Frontend Dev for UI & 3D experiences

18: Followers

Product Designer & Frontend Dev for UI & 3D experiences

Cover image for 𝗥𝗲𝗰𝗿𝗲𝗮𝘁𝗶𝗻𝗴 𝘁𝗵𝗲 𝗕𝗲𝗻 𝟭𝟬 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗲 — �...

𝗥𝗲𝗰𝗿𝗲𝗮𝘁𝗶𝗻𝗴 𝘁𝗵𝗲 𝗕𝗲𝗻 𝟭𝟬 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗲 — 𝗠𝘆 𝗧𝗿𝗶𝗯𝘂𝘁𝗲 𝘁𝗼 𝗮 𝗟𝗲𝗴𝗲𝗻𝗱𝗮𝗿𝘆 𝗦𝗵𝗼𝘄 💚 As a designer and lifelong Ben 10 fan, I wanted to bring one of my favorite universes back to life — this time through 3D design in Spline (https://www.linkedin.com/company/splinetool/). In this project, I recreated the Omnitrix hologram activation sequence, featuring seven aliens appearing one by one through glowing green holograms — each with its own aura, form, and motion. Every pulse and transition was designed to recreate that same “It’s Hero Time!” thrill. 🎨Tools Used: • Spline — 3D modeling, animation & lighting • Focus — Motion design, glow effects, and environmental storytelling 🔗 Remix Link: https://app.spline.design/community/file/8d7a989d-6ae8-4001-8252-496267287ce2

2

447

Sync and Explore Logo Design & Motion Video

2

12

Cover image for BRAHMOS: A Supersonic Tribute in 3D

BRAHMOS: A Supersonic Tribute in 3D

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29

Genero’25 – Immersive Logo & Motion Design

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20

Motion Designer(5)

Cinematic Video Editor & Motion Graphics Expert

8: Followers

Cinematic Video Editor & Motion Graphics Expert

Cover image for I created a kinetic intro animation inspired by the design e...

I created a kinetic intro animation inspired by the design evolution from the OnePlus 13 to the upcoming OnePlus 15. The concept starts with the iconic Plus symbol, then transitions into the outline of the OnePlus 13. I used dynamic line movements to reshape its silhouette into the new OnePlus 15 form factor. The sequence ends with a clean reveal of the OnePlus 15 logo, followed by a smooth wave transition from the static render into the main video. What I focused on: Clean logo-driven animation Shape-to-shape transformation (OP13 ➜ OP15) Smooth morphing lines for design evolution Minimal, modern motion language Wave-style transition into the final video This intro sets a futuristic, premium tone for smartphone content while keeping the animation short, bold, and visually impactful.

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41

Cover image for I created a high-end motion graphics demo showcasing a ficti...

I created a high-end motion graphics demo showcasing a fictional collaboration between Apple Watch and Emirates Airlines. The project features realistic 3D models of both the Apple Watch and Emirates flight, combined with dynamic animations, elegant transitions, and detailed widget visuals that bring the concept to life. Every motion, reflection, and camera move was carefully designed to reflect premium brand aesthetics. I also handled the entire sound design, syncing audio perfectly with visuals for a cinematic and immersive experience. Role: Motion Graphics Designer | 3D Visualization | Sound Design

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90

Cover image for The story behind the ThinkPad — from IBM to Lenovo. I create...

The story behind the ThinkPad — from IBM to Lenovo. I created a motion graphic breaking down the timeline of how Lenovo acquired the ThinkPad brand from IBM and continued its journey in the laptop market. This project was originally made for the Gyan Therapy YouTube channel, combining research, design, and animation to present the history in a clear and engaging format.

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Cover image for I Just made Intro For Google Pixel 10 Pro Smartphone Review ...

I Just made Intro For Google Pixel 10 Pro Smartphone Review for a YT Video https://www.youtube.com/watch?v=VRdTwjh4BBY&t=62s

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76

Motion Designer(3)

2d Animation || Animated Gifs & Illustration

2d Animation || Animated Gifs & Illustration

Cover image for 2d Animated Explainer Video

2d Animated Explainer Video

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24

Cover image for Gif Animation Dominos Ad

Gif Animation Dominos Ad

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10

Cover image for 2d Animated Explainer Video

2d Animated Explainer Video

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22

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Motion Designer(3)