Freelance UI Designers in OdesaFreelance UI Designers in Odesa
ProjectsPeople
KYRYLL Kreitser's avatar
KYRYLL Kreitser
proOdesa, 65000
Webflow Developer | Official Partner | Figma to Webflow |
5.0
Rating
2
Followers
WEBFLOW_EXPERT

Certified Partner

Webflow Developer | Official Partner | Figma to Webflow |
Cover image for Streamlined Systems — Webflow SaaS Website
Streamlined Systems — Webflow SaaS Website
0
13
Cover image for OVK Logistics — Corporate Webflow Website
OVK Logistics — Corporate Webflow Website
0
13
Cover image for Webflow multi-page site | Webflow website development | Cloutboo
Webflow multi-page site | Webflow website development | Cloutboo
0
7
Cover image for Leapyn — 70+ Page Webflow Build with CMS & SEO
Leapyn — 70+ Page Webflow Build with CMS & SEO
6
66
UI Designer(5)
Natalia Trusova's avatar
Natalia Trusova
Odesa, 65000
Ai driven Ui/Ux & graphic designer
58
Followers
Ai driven Ui/Ux & graphic designer
Cover image for Horse in Art: 2026 Wall Calendar & Landing Page
Horse in Art: 2026 Wall Calendar & Landing Page
10
22
Cover image for AI-Powered App Threadline for Higgsfield Supercomputer
AI-Powered App Threadline for Higgsfield Supercomputer
12
50
Cover image for Lens & Link is a
Lens & Link is a mobile app for finding and booking photographers. It connects clients with photographers based on city, date, and shooting genre. There are two registration paths. A photographer creates a profile with their name, genre, city, hourly rate, and portfolio. A client registers with just a name and email. The same account can function as both — a photographer can also book other photographers through the platform. Each user has a personal dashboard split into two views: their incoming or outgoing bookings, and their profile. Bookings have statuses — pending, confirmed, cancelled, completed — and both sides receive email notifications at each stage. Search works by city, date, and genre. The app has a bottom navigation bar for smooth movement between sections. Category Marketplace / Services — connecting creatives with clients. How it was built I'm a designer, not a developer. I used Claude to generate the full app architecture from a text prompt — database structure, data types, workflows, and page logic. That became my starting point inside Bubble. From there I worked through the bindings and workflow connections myself, using Bubble's built-in AI agent and the Claude browser extension as support. When something wasn't clear, I asked the agent directly. When I could figure it out — I did. The UI and design decisions were mine throughout. The AI handled the logic foundation; I handled how it looks, feels, and flows. link https://bubble.io/live_not_supported?appname=trusovanatadesign-66181 Instagram https://www.instagram.com/reel/DaJFHeAtw3Y/?igsh=N3NicWVid3Y5MnAy For the judges: This is my first experience with Bubble. During submission I discovered that the starter plan doesn't generate a shareable live link for mobile apps — something I wasn't aware of going in. I'm attaching an alternative link to the app preview below. Thank you for your understanding.
19
23
2.8K
Cover image for TOTEM — FLORA Museum Challenge
TOTEM — FLORA Museum Challenge submission The Challenge: take one real, public-domain object from The Metropolitan Museum of Art's collection and reimagine it into a new world, using FLORA. The Story In a world after collapse, a new civilization is born from the remnants of the old. But this is not a story of abandonment or forgetting. It is a story of transformation: how memory survives by changing form. The film shows objects transforming into metal. The form remains the same — monumental, permanent, enduring. In this transformation lies the film's deepest meaning. The Primary Artifact: Raven Rattle The heart of TOTEM is a 19th-century rattle by the Xaadas (Haida) people, from Masset, Haida Gwaii. The Met describes it directly: "This raven rattle depicts a perched bird with wings outstretched toward its front — an unusual representation of the raven on a rattle, more typical of the way it would be depicted on a memorial (or totem) pole." This wasn't simply a musical object. A rattle like this was carried by a chief during ceremonial dances as a mark of rank, spiritual power, ritual performance, and the transmission of knowledge. The rattle was an instrument of authority — a voice that commanded attention and carried meaning between generations. What the Raven Symbolizes For the Haida, Raven isn't just a myth character — it's one of the two clan divisions their entire society was built on: Raven and Eagle, inherited through the mother's line. To be Raven is to carry a specific role, a specific responsibility in the social order. But Raven's significance reaches far beyond one people. Across the Pacific Northwest, Raven keeps reappearing in the same role: a creator and trickster figure, the one who changes the established order and brings a new world into being. Even in Norse mythology, Odin's ravens Huginn and Muninn represent Thought and Memory — the keepers of knowledge that fly across the world and return. Almost everywhere it shows up, Raven carries the same charge: intelligence, transformation, the thing that adapts and endures. Why Raven Leads This World In TOTEM, these meanings converge. The raven becomes the central keeper of memory in a world that has lost its history. The rattle — an instrument of ceremony and rank — becomes a medallion with a single burning eye: the emblem of a civilization built not by forgetting the past, but by carrying it forward in a harder form. The raven survives not by remaining unchanged, but by changing form. Wood becomes metal. A ceremonial object becomes an idol. A symbol of one tradition becomes the foundation of a new civilization. These people have not abandoned their ancestors' knowledge. They have transformed it into something that will endure. All six artifacts used in TOTEM Primary artifact: Rattle (Raven) — Xaadas (Haida), 19th century — wood, pebbles, polychrome https://www.metmuseum.org/art/collection/search/501263 Supporting artifacts, used as visual texture to enrich the world: Totem Pole Model — Tlingit, 1820–40 — wood https://www.metmuseum.org/art/collection/search/319073 Totem Pole Model — Haida, 1875–85 — wood, pigment https://www.metmuseum.org/art/collection/search/319081 Totem Pole Model — Charles Edenshaw, ca. 1890 — argillite https://www.metmuseum.org/art/collection/search/319092 The full story of the totem poles — how they encode lineage, rank and memory, and what they become in TOTEM: https://contra.com/community/S5brMMr9-totem-the-gate-bonus-piece Ceremonial Board (Malu) — Sawos people, 19th century — wood https://www.metmuseum.org/art/collection/search/311159 The full story of the ceremonial board — the threshold between the visible and the invisible: https://contra.com/community/4VyUOTHR-totem-the-throne-bonus-piece Grere'o (Shield) — Solomon Islands, early to mid-19th century — fiber, shell, nut paste https://www.metmuseum.org/art/collection/search/310073 Four different original materials — wood, stone, shell, and fiber — all reforged into one material in TOTEM- metal. What the Film Reveals TOTEM shows that memory is not fragile — it is resilient. It survives not by being preserved untouched, but by being transformed. The objects that once held ceremonial meaning for one people become the symbols of power for another. The wisdom encoded in their forms — their balance, their proportions, their spiritual weight — is not lost. It is reborn in a new material, carrying the same essential truth. A civilization that remembers is stronger than one that starts from nothing. Silhouette preserved. Material is not. 🔊 Watch with sound. Half of this world lives in the audio — the film reads differently without it. FLORA project: https://app.flora.ai/join-project/dd0f3ef8-da87-4ca9-aa23-1ebe54a56d65 #floramuseumchallenge #flora #metmuseum #generativedesign
11
362
UI Designer(3)
Vladyslav Bahatskyi's avatar
Vladyslav Bahatskyi
Odesa, 65000
Web & Mobile UI/UX Design and Development
Web & Mobile UI/UX Design and Development
Cover image for Earnven
Earnven
0
11
Cover image for Galactic Goons
Galactic Goons
0
25
Cover image for LSRE Solutions
LSRE Solutions
0
10
Cover image for CoinSender
CoinSender
0
20
UI Designer(4)