Freelance Film Producers in Madrid

Freelance Film Producers in MadridFreelance Film Producers in Madrid

Filmmaker

Cover image for This project was a commissioned

This project was a commissioned advertising spot for Emporio Armani, developed and directed using my cinematic approach to luxury brand storytelling. The concept focused on emotional connection and the idea of togetherness, aligning with Armani’s fragrance campaigns like Stronger With You and In Love With You. What began as a single spot evolved into a full worldwide campaign, demonstrating the impact of strategic, cinematic storytelling that resonates with audiences and elevates brand presence

Cover image for Visual Grandeur. Treated every room

Visual Grandeur. Treated every room as a set, utilizing slow-burn pans and rack-focus techniques to guide the viewer’s eye toward the bespoke craftsmanship. By shooting in LOG profile, I achieved a wide dynamic range that mimics the texture and 'creaminess' of a 35mm film print, ensuring that the shadows are deep and the highlights are sophisticated, not blown out.

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Cover image for create a high-fidelity architectural narrative. I

create a high-fidelity architectural narrative. I utilized a mix of heavy lift drone maneuvers and gimbal stabilized ground tracking to ensure a seamless 'one-take' feel, bridging the gap between the exterior environment and the interior luxury.

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With the world at a standstill due to the COVID-19 pandemic, real-life filming was an impossibility. We had to rethink our approach, turning to the power of pure, studio-based 3D rendering. This film is not just a showcase of a groundbreaking motor yacht; it's a testament to human creativity and technological prowess in the face of adversity. Every frame, every ripple on the water, and every sleek line of the yacht was painstakingly crafted in a 3D studio, without the use of AI. This allowed us to achieve a level of detail and artistic control that would have been impossible in a traditional shoot, perfectly capturing the spirit of Lamborghini's "Beyond the Limits" philosophy.

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Film Producer(7)

Mont Carver

proMadrid, Spain

Ethereal Filmmaker | Photographer | Creative Direction | AI

$5k+: Earned

5x: Hired

5.0: Rating

223: Followers

expert

Ethereal Filmmaker | Photographer | Creative Direction | AI

Fatigue Videoart

Cover image for Hey Contra fam ✿✿✿✿✿ jumping on #contraquest ✿ I’m Mont Carv...

Hey Contra fam ✿✿✿✿✿ jumping on #contraquest ✿ I’m Mont Carver ♡ a Mexico City–born creative based in Madrid. I work across video editing, filmmaking, photography, and AI-assisted visual art (yes, I love a good hybrid workflow ♡). I’m obsessed with story + mood + rhythm ♡ whether it’s a cinematic short-form edit, an actor character study, a beauty campaign BTS, or Midjourney experiments turned into motion ✧₊˚ This year I’m here to collaborate more, learn faster, and make work that feels real and weirdly beautiful ★ Say hi + tell me what you do! ୨୧ #contraquest #freelancerlife #videoeditor #filmmaker #photographer #visualartist #aivisuals #midjourney #madridcreatives

2.1K

Cover image for THE INSATIABLE DESIRE FOR DIVINE

THE INSATIABLE DESIRE FOR DIVINE LOVE A short film by Mont Carver Original artwork: https://www.metmuseum.org/art/collection/search/360403 I spent hours moving through The Met’s Open Access collection before encountering Antonius Wierix II’s engraving The insatiable desire for divine love (Divini amoris intensio), created between 1570 and 1604. Among more than half a million works, this was the image that stopped me. The engraving depicts a robed figure holding two hearts connected by fine lines to a crowned heart suspended above him. I was drawn to the way it gives longing a physical structure. It immediately connected with questions that already run through my work: queer love, faith, yearning and the unseen forces that bind people together. The Insatiable Desire for Divine Love reimagines the engraving as a short magical realist film set in present-day Mexico City. A young Mexican woman prays before the image in her bedroom. The engraving awakens and becomes a prophecy. Later, she glimpses a luminous, long-haired figure. The apparition eventually returns in an ordinary human form as the girl living next door, whom she encounters on the rooftop while hanging laundry. The divine revelation is not fulfilled through a distant celestial being, but through another young woman who has been living beside her all along. The film asks whether the love we address through prayer might already exist within the ordinary world, waiting to be recognized. I developed the film through a branching process on the FLORA canvas rather than through a single generation. I began with visual research into Mexican domestic devotional spaces, bedrooms, neighborhoods, rooftops and clotheslines. From there, I developed the two characters and repeatedly refined their appearance, environments, visual continuity and relationship to the original artwork. I explored several interpretations of the apparition, rejecting images that felt overly polished or like generic digital fantasy in favor of something more intimate and slightly uncanny. I also experimented with expanding and animating the original engraving while preserving its recognizable composition. Its engraved clouds begin to drift, the landscape responds to the wind, the hearts pulse and the delicate black lines tremble as though the antique image were awakening inside the paper. Across the film, those connecting lines are translated into the electrical wires and clotheslines of Mexico City. The pastoral landscape becomes a dense urban rooftop, while clouds reappear through white sheets moving in the wind. The final visual language combines the tenderness of a magical-girl story with the texture of 35mm photography, domestic realism, devotional imagery and restrained analog dream effects. The dusty pink bedroom, faded turquoise textiles, warm daylight, black ink and pearlescent light were refined across connected iterations. Sound, music and an ornamental title sequence were developed as part of the same visual world. The project also begins from the idea that some artworks have lives beyond museum walls. Devotional images can travel through reproductions, bedrooms and domestic altars, where they are framed, touched, prayed to and woven into everyday life. I wanted Wierix’s engraving to leave the digital archive and enter a young woman’s bedroom, not as a distant historical object, but as an intimate image she lives with and speaks to. The film therefore traces a circular journey: from devotional print to museum collection, from the archive back into a home, and finally toward the museum again as a contemporary moving image. Rather than simply illustrating the original engraving, the work proposes a new afterlife for it, one in which sacred longing becomes domestic, Mexican and queer. IG post: https://www.instagram.com/reels/Dc-6_KgRaEV/

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memory . zip ♡ an art exhibition at NAVEL the signs, the exchanges and the eyes, and the cities original title: los signos, los intercambios y los ojos, y las ciudades This was my exhibition at NAVEL in Madrid, presented from May 14 to June 28, 2026. A love letter to the home I was leaving after five years, and to the people, rituals and tiny gestures that made it ours. Built from photography, poetry, printed texts and fragmented images, the installation treated the house as more than architecture: the kitchen became a meeting place, the hallways held our exchanges and each bedroom became its own private universe. I cut, enlarged, blurred and reprinted the images on different materials to recreate the way memory behaves: unstable, marked, fading, repeating and always returning in pieces. Part farewell, part visual diary, part attempt to touch something just before it disappears ౨ৎ I love sharing my personal artistic projects alongside my freelance work because I do not see them as separate worlds. They might live in different folders, but they come from the same hard drive ♡ The same curiosity, visual sensitivity and emotional storytelling move through everything I create. Every photograph I make, film I edit, text I write and installation I build shapes the creator I bring to each collaboration. Photography, writing, image manipulation, creative direction + installation by Mont Carver. Exhibited at NAVEL, Madrid.:

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Film Producer(1)

Alex Esteve

Madrid, Spain

Director, writer and photographer

MLG Cardio commercial

Amare - Express Youself

Alex Esteve - Reel

En El Aire - Vega Almohalla

Film Producer(3)