Río Tinto, Huelva
Personal project
Río Tinto in southern Spain looks like another planet: highly acidic waters, iron-rich soil, and thousands of years of mining that have reshaped the land. NASA even studies it as a Mars analog.
This wasn't a commission. I simply went to look, and this series is what I found by getting closer: cracks that read like maps, crusts that echo aerial views, a scale that dissolves. What looks like rusted rock from afar can, up close, become a river, a delta, an entire territory.
I'm sharing it because it shows how I see: patiently, with attention to texture and color, looking for the abstract inside the real.
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FRG-MN-TS: Detail Photography of a Live Cinema Performance
Photographic series documenting the analog instruments and objects behind FRG-MN-TS, a live cinema piece by Kansas Anymore that blends analog instruments, performance and live music into a space of attention and contemplation.
My role: photography at Casa de Socorro, Málaga, in collaboration with LCAmálaga and Promálaga. I focused on the tools and materials of the piece, plus one frame of the projection with the performer. I also filmed the full performance; video coming soon.
Creative team:
Pedro Lopey: video animation
Martina Álvarez: performance
Nuria Luq: musical composition
Javier Lopez: visual concept
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Portraying Caro R.D. through contrast — frozen moments and deliberate blur, stillness and motion. Nothing accidental, everything in service of capturing who she is.
These images are part of a larger project — a video collage combining photography, stop motion and video. You can find it on my profile.
Photography & creative direction — Antea Haauk
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COFRADÍA – Short Film Dossier ‘When illness and the supernatural collide at Easter, a couple must choose between science, faith, or sanity.’
Visual Concept This dossier was created combining analog collage techniques with digital editing in Photoshop. Most graphic elements (textures, sculptures, and objects) were personally photographed by me. The final layout was designed in Figma.
The aesthetic uses high-contrast black and white to reflect the story’s core duality: faith vs. doubt, light vs. darkness, acceptance vs. control. The cover features a split chalice and broken rosary as a metaphor for the characters’ opposing responses to suffering: one embracing the Blood of Christ, the other rejecting it. The overall design blends solemn religious iconography with psychological tension.
Design & Art Direction: Antea Haauk
Text censored to protect intellectual property.
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Artistic photography project for Madelen Basañes, multidisciplinary artist working across painting, sculpture, and performance.
Concept: art in being. The session is built on the idea that Madelen is not only the one who makes the work, she is the work. The goal was to capture her presence with the same intensity one brings to looking at a piece of art: slowly, carefully, finding something new in every detail.
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