Video Editor | Short-Form, UGC Ads & Branded Content
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Video Editor | Short-Form, UGC Ads & Branded Content
A little look at my workflow inside Magnific for AI teaser production.
I really like building my own process instead of relying on a one-click workflow.
Usually, I start with the characters first.
Then I shape a loose storyboard inspired by the book/story, selecting the scenes that would actually make sense in a teaser.
From there, I generate base images and use those as the foundation for multiple variations — mostly to explore different framings, compositions, and emotional tones.
If you look closely, you can also see a lot of wrong generations in this board — and that’s exactly why having access to tools with generous or unlimited generation options matters so much.
For this phase, tools like Nano Banana 2.0 and Kling 2.5 inside Magnific are incredibly useful, because they let me generate a large volume of images, compare, curate, discard, and refine without being overly precious too early in the process.
My workflow usually looks like this:
— build the characters
— generate base stills
— create variations for framing and continuity
— select the strongest images
— make light fixes / upscale where needed
— test prompts and reactions in motion
Once I find something that really works, I usually replicate or polish it in Kling 3.0, or sometimes re-run it in Kling 2.5 at 1080p.
I mostly save Seedance for moments where I specifically want to work with audio, but honestly… it gets expensive fast 😅
If I were using Seedance more heavily, I’d probably consider a separate Dreamina plan just for that part of the workflow.
What I like about working this way is that it feels much closer to an actual creative process:
not just generating random beautiful shots, but developing visual consistency, testing scene logic, and building a teaser with intention.
AI helps a lot — but curation, taste, and structure are still doing most of the heavy lifting.
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If you’re an author, would you want a teaser like this for your book?
I’ve been thinking a lot about how books are introduced visually before they even have a finished campaign around them.
This is a shorter, more emotional teaser for Harness, a novel I’m still developing. I wanted it to communicate the feeling of the story before explaining the story itself.
I cut it to “Where Is Gone?” by Fontaines D.C. and ROSALÍA, which I’m completely obsessed with right now, and it ended up fitting the emotional tone of the project almost too well.
There’s something interesting about giving a book a cinematic language while it’s still being written. Not a trailer that explains the plot, but something that lets you feel the world first.
As an author, would you find this kind of teaser useful for building interest around a book?
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AI Book Trailer — Original Fiction Project
A cinematic, realistic book trailer created for an original fiction project currently in development.
I developed the visual direction and built the trailer using an AI-assisted workflow across Seedance, Nano Banana and Kling, with a strong focus on realism, character consistency, atmosphere and cinematic continuity between shots.
The process involved generating and refining visual references, creating consistent environments and characters, directing motion across multiple AI video models, and shaping the final sequence through editing, pacing, sound and visual rhythm.
Rather than treating each generated shot as an isolated image, the goal was to make the piece feel like a cohesive live-action trailer with its own visual world.
The book itself is still in development, so the trailer focuses on mood, tone and cinematic identity rather than revealing the full story.
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This piece was created as a realism test using Kling 3.0, focused on a content creator filming himself inside an elevator.
The goal here was not spectacle, but naturalism — believable body language, subtle camera behavior, and the kind of small, organic movement that makes a shot feel real rather than generated.
What interests me most in this kind of work is how much the final result depends on direction. Smooth, realistic movement often comes far more from the prompt design and the clarity of the creative intention than from the tool alone. If you let the model solve everything by itself, it often tends to produce movement that feels more abrupt, artificial, or physically unconvincing.
Because of that, a large part of my process is focused on refining prompts and shaping the result with precision. I’m very demanding about realism, especially when it comes to human movement. I pay close attention to the rhythm of gestures, the relationship between body and camera, and the overall natural flow of the shot.
For me, this is where AI video becomes most interesting: not when it looks flashy, but when it feels effortless, subtle, and believable.
Tools used: Kling 3.0
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Designer, marketing, and video creation using AI.
INDEPENDENT CONCEPT FILM - SPORTSWEAR CAMPAIGN - FROM MIST TO FLIGHT
My interpretation of a sportswear campaign that breaks reality.
It's not about running faster. It's about having the courage to jump when the ground ends.
Forest in the mist -> Open field sprint -> Cliff jump into the clouds -> Flight on a dragon towards the sunset.
Everything produced 100% with Artificial Intelligence, from scratch. No crew, no location, no CGI studio.
This is the future of commercial filmmaking - where a fashion ad can become a fantasy epic.
Full project + behind the scenes on my Instagram: https://www.instagram.com/reel/De9zqOeRKf7/?hl=pt-br
What do you think of the concept?
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I developed a concept film to explore what a campaign for the new Roadster might look like. The core concept: BEYOND GRAVITY. The narrative is structured in three acts: Pure Design: A studio presentation to highlight the vehicle’s lines. City of the Future: A performance on a suspended thoroughfare, with other Roadsters flying in the background—normalizing the extraordinary. Destination: Arrival at a mountain home, featuring a close-up of a wheel as another Roadster takes off toward the horizon. Everything was produced 100% using Artificial Intelligence, from scratch. No film crew, no physical locations, no actual car. It serves as an exploration of the future of automotive advertising: how to create cinematic, scalable campaigns without the physical limitations of traditional production. I believe that the next major differentiator for brands won’t just be the product itself, but the ability to tell stories without boundaries. I am open to conversations with agencies and brands interested in exploring this format.
If you’d like to see more videos like this, follow me on Instagram: https://www.instagram.com/p/DesV5-TlRal/
What do you think of this approach for automotive marketing? #InteligenciaArtificial (https://www.linkedin.com/search/results/all/?keywords=%23inteligenciaartificial&origin=HASH_TAG_FROM_FEED) #AIVideo (https://www.linkedin.com/search/results/all/?keywords=%23aivideo&origin=HASH_TAG_FROM_FEED) #Publicidade (https://www.linkedin.com/search/results/all/?keywords=%23publicidade&origin=HASH_TAG_FROM_FEED) #MarketingAutomotivo (https://www.linkedin.com/search/results/all/?keywords=%23marketingautomotivo&origin=HASH_TAG_FROM_FEED) #Tesla (https://www.linkedin.com/search/results/all/?keywords=%23tesla&origin=HASH_TAG_FROM_FEED) #ProducaoAudiovisual (https://www.linkedin.com/search/results/all/?keywords=%23producaoaudiovisual&origin=HASH_TAG_FROM_FEED) #Inovacao (https://www.linkedin.com/search/results/all/?keywords=%23inovacao&origin=HASH_TAG_FROM_FEED)
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This case study explores the creation of a 15-second cinematic short-film trailer titled “The Last Contract”, a fictional action-thriller concept with a dark, elegant, and suspense-driven atmosphere.
The project focuses on building tension through premium cinematic visuals, high-contrast lighting, moody neon environments, sharp cuts, controlled pacing, and a refined trailer-style structure. Each scene was designed to gradually reveal the story: a contract file, a silent preparation sequence, a neon-lit corridor, and a fast action montage leading to the final title reveal.
The goal was to practice creating a short cinematic narrative using AI video tools, combining visual storytelling, dramatic atmosphere, suspense, character presence, and movie-trailer pacing in a polished format.
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This case study presents a social media design concept focused on Sports Physiotherapy. The project explores a clean and professional visual direction created for clinics, physiotherapists, and health professionals who want to communicate recovery, injury prevention, mobility, stability, and safe return to training.
The designs were developed with a modern blue color palette, soft organic shapes, structured layouts, clear typography hierarchy, informative content blocks, and strong call-to-action sections. Each post was created to feel trustworthy, approachable, and visually polished while maintaining a strong connection with sports performance and rehabilitation.
The goal was to practice creating strategic static posts for Instagram and digital campaigns, helping position sports physiotherapy as an essential part of performance, prevention, and long-term athlete care.
This study focuses on visual consistency, message clarity, professional branding, and high-impact social media communication for the sports health and rehabilitation market.
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⚡ I help founders turn working products into trusted ones.
- $10k+
- Earned
- 1x
- Hired
- 5.0
- Rating
- 7
- Followers
⚡ I help founders turn working products into trusted ones.
