Dima Vasyliev's Work | ContraWork by Dima VasylievDima Vasyliev
Your Digital Ads Production Partner for HTML5, Video, Static
It started with a cassette.
I got my hands on a cassette by one of my favorite bands, ХЗВ, and just felt like making something for them. That spontaneous idea became this fan video. It was my first time experimenting with AI.
Back then, I had no idea it would lead to a long-term collaboration. Parts of this video later became stage visuals for their solo concert. Then we worked together on tour promos and an AI music video.
Sometimes a big journey starts with a simple idea. I built a unified video ad system for a luxury hotel that works flawlessly everywhere: on Instagram, web banners, and physical lobby screens. Instead of hiring different creators for SMM, HTML5, and DOOH displays, we delivered a complete multi-format kit in one run.
Using Premiere, CapCut, Adobe Animate, and AI, we crafted seamless vertical cuts, interactive web ads, and high-res loops. We even tracked the screens so the client can easily update promo content later.
No robotic templates. Just a premium vibe adapted to every screen I didn’t pick Honda to invent a story — I picked it because I’m living one.
I drive a 2016 Honda Odyssey myself, and it’s become our family’s little universe: first rides, school runs, long trips, rainy windows, loud sing-alongs, and the quiet drives that turn into memories. My daughter often asks, “Dad, will you leave me this car when I grow up?” — and that question shaped the entire narrative.
The visual direction stays honest: cinematic “now” moments blended with handheld phone-style memories, like a real family timeline.
Production-wise, all visuals were created in Morphic, and I did the full edit in Adobe Premiere Pro — no other tools. I just used the Honda logo from publicly available brand video references. @Morphic (https://contra.com/company/morphic) was a pleasure to work with!
Thank you. Yep, that’s a bearded girl 😄
And no — it’s not an AI glitch.
It’s a carefully crafted prompt to generate a young Albert Tsukrenko (https://www.instagram.com/p/DTAx0BqiGHx/?img_index=1).
But here’s the real question 👇
How often do you retouch, clean up, or groom your AI-generated frames before moving on to video generation?
Below: a raw-generated scene vs. the same shot after adding details and a few Easter eggs
BTW — this is part of an AI-generated music video.
Would love to share the full thing with you a bit later 😉