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One continuous shot: the camera turns to introduce each instrument in the band.
It's part of a piece I'm building for a holographic display. Do the instruments read at this speed, or is the light getting in the way? Tell me what you notice first.
honestly the purple haze hit me before the sax did. is that volumetric or just a card?
right? felt the same. it's volumetric, and it's the note i'm working on. thanks for the point
The camera turn is a great way to make the band feel discovered one instrument at a time. I’d love to see how a slightly slower light transition changes the read of the holographic depth.
thanks bro! and yeah, the way the lights play with the depth mask is the interesting part, i'm exploring a few new techniques 🙌
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Some SaaS products have a lot to say. The challenge is knowing what actually needs to be shown.
For this video, I wanted to keep the promo focused on the product while giving it enough visual character to make the experience memorable.
I played with pacing, composition, motion and product visuals to create something that feels modern without making the interface the entire story.
I always enjoy this part of motion design: finding the balance between showing enough and leaving enough space for the viewer to understand it on their own.
Would you use this kind of visual direction for a SaaS product? 💭
Nice!!
Same prompt. Same concept. Two very different cinematographers.
Seedance 2.5 feels like an experienced DOP
Kling 3.0 Omni feels like a skilled junior on their first fashion shoot
Both get the job done
Only one gets the mood
7 voted
70%
3 voted
30%
10 votes
Closed
seedance got my vote, kling did feel a bit all over the place imo.
