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Book design for the RISD Graduate MFA Photo department's current and graduating students. Designed in conjunction with Josh Joseph. Print run of 50 copies through Conveyor Press out of New Jersey. Features a vellum jacket as well as 12 unique risograph printed photographs of each individual photographer.
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Inspired by, I'm sharing one of my own concepts that wasn't chosen for the final design, but that I absolutely love.
This idea is so good! We all have concepts hiding in our drafts that never get to see the light of day. I think they deserve their moment, too. ✨
How many concepts die in your drafts folder? 💀
In the spirit of Inktober, a digital sketch that never saw the light.
This was a lettering-inspired brandmark...
Good morning, Designers.☺️
A second, closer look at the stationery design for FT Studio, Interior Design Studio by Federica Tomasello.
If the project sparks your curiosity and you'd like to learn more about the concept and other design aspects, here's the link to the case study: Let me check!
I'd be glad to hear your feedback!
Have a great day and happy designing, everyone.
alessia.
Amazing
LOVED THIS ONE! While exploring the Rijksmuseum's public domain collection, I fell for Ohara Koson's quiet woodblock prints of small birds and flowers on soft, misty skies.
I trained a custom Recraft Style on ten of his prints from 1900–1930, cropping away signatures and margins so only his gentle colors, delicate lines and generous empty space remained.
Then I asked: what if his birds moved to the city? I used the Style to design for everyday 2026 life, from a tram wrap and a full-sleeve tattoo to café umbrellas, a building mural and a pedestrian crossing painted as a lily pond.
A century later, Koson's birds are still finding new places to land.
An interesting implementation.