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The network for creativity
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Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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Honestly, you need me for this level of clean, minimal design.
I’ve been leveraging AI throughout my workflow, and the result is a design that’s clean, refined, and ready for development.
Even Apple would be impressed.
Minimal looks simple until you try to do it well. Nice balance of spacing, hierarchy, and restraint here.
One of our older concepts that still stands out to us is Sentra Wallet.
At the time, most crypto wallets leaned into dark themes and interfaces that felt built for experienced users. We wanted to explore a different direction. Something brighter, friendlier, and easier to navigate without losing the feeling of security or control.
The goal was simple: make managing digital assets feel approachable. We focused on clear information hierarchy, intuitive navigation, and a visual identity that didn't rely on the usual Web3 design trends.
Looking back, we'd definitely refine parts of it today, but the core idea remains the same. Great product design isn't about making crypto look more complex. It's about making it feel easier to use.
Going brighter and friendlier for a crypto wallet is still the harder design problem, most teams default to dark mode because it's easier to fake secure. What was the biggest pushback from users used to the darker wallet convention?
Two heroes. Same tee brand. Opposite personality.
Retro Varsity shouts. Bold serif, graphic tee, warm cream and navy, badge in the corner.
Editorial whispers. Full-bleed crop, plain white tee, all negative space and quiet confidence.
One sells the print. One sells the fit.
Streetwear or staple, which look sells a tee harder?
🏈 Retro Varsity
🤍 Editorial
Vote below.
6 voted
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6 votes
Closed
The print vs fit framing is spot on. Retro sells energy, editorial sells product quality. For a tee brand I would probably lean editorial on PDP and keep retro for campaign landings.
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