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WHERE TO?
Did I wake up at the mall, or inside a dream of one?
Either way, somebody left a key on my pillow, a bike under a cover started asking questions, and the only way to find out was to go.
I tried to squeeze the whole idea, and the whole trip, into the time limit: a guy farming aura all the way down to CapCut World LA, through a bay, a side quest, a wardrobe change he never asked for, and a city that can’t decide whether it’s real or rendered.
The credits ran out before the trip did. So the edit got creative: rescue cuts, two takes braided into one, and a render error that stayed in because it earned its place.
Whether he lands in Los Angeles or in the dream of it, you’ll have to watch.
Generated in CapCut Video Studio (Seedance 2.5, Seedream 5.0 Pro, Nano Banana Pro).
#CapCutWorld #CapCutWorldLA #1000WaysToCCW @CapCut
Thx Anas! 😊
Thanks for the good wishes, Alaa! Hoping it lands haha 🙏
A render error that stays in because it earned its place is a braver call than regenerating it. Same with braiding two takes into one: neither take was right on its own, the cut made it right.
Correcting on the fly with the credits you have left is the hard part, but that’s where you get creative, whether you like it or not haha. Thanks, Irkham!
Hahaha that's right, by the way let's connect nacho!
Since we work in the same field, who knows perhaps there might be an opportunity for us to collaborate on a project someday.
Haha thanks, Irkham! Followed you, so we'll keep crossing paths. Good luck with your entry!
Truly epic! What a ride from start to finish 😱
The network for creativity
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Stepping Through Art History to CapCut World LA 🎨✨ → 📍Audrey Irmas Pavilion
For the "Unexpected Arrival" theme, I wanted to blur the boundary between classic human artistry and next-gen AI filmmaking. Instead of a standard commute to Los Angeles, the journey pulls me directly through living, breathing masterpieces—from the swirling skies of Van Gogh’s The Starry Night and the crashing barrels of Hokusai’s The Great Wave, all the way to the iconic trapezoidal facade and barrel-vaulted ceiling of the Audrey Irmas Pavilion for CapCut World LA.
How I built it:
AI Generation & Continuity: Built as a connected 9-scene sequence using Seedance 2.5 inside CapCut, maintaining character consistency and fluid motion across completely distinct artistic styles and eras.
Editing & Polish in CapCut: Stitched and paced the transitions so each painting seamlessly morphs into the next dimension, combining keyframe camera momentum, color matching, and immersive sound design to make the final arrival in LA hit with maximum impact.
Why I built it:
Every era of art had its own medium—from oil on canvas and woodblock prints to digital timelines. AI and CapCut are the new canvas. I built this piece to celebrate how creative technology lets us step inside our wildest visual ideas and bring them to life in seconds.
Brilliant concept Pedro! 🎨 Stepping through Art History for an "Unexpected Arrival" is genius - blurring classic human artistry with next-gen AI filmmaking is such a powerful angle. Love the creative take on the journey to Audrey Irmas Pavilion instead of a standard commute. Can't wait to see the full piece!
Static web design is dead.
Designed this bento section for a Sales CRM Platform and turned it into an animated section with Claude.
I got to start including motion in my designs.
I’m curious, what prompt did you use to create this? The result looks really smooth, by the way!