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A heartwarming 3D animated short story showing that even the smallest things can make the world a better place.
Created as an original storytelling piece with a focus on emotion, cinematic visuals, character animation, and gentle visual storytelling.
AI-assisted production was used as part of the creative workflow, alongside editing, and storytelling direction.
The network for creativity
Join 1.25M professional creatives like you
Connect with clients, get discovered, and run your business 100% commission-free
Creatives on Contra have earned over $150M and we are just getting started
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A single hub for managing crypto assets, wallets, swaps, and cross-chain portfolios, without bouncing between five different apps to get it done. I handled the branding, UI elements, illustrations, web design, and animations. The identity draws on space, light, transparency, and a sense of confidence, aiming for something visually striking that also builds trust with the user.
Wow, Great job!
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The brand required an identity that could embody its innovative spirit, strategic mindset, and futuristic vision.
This visual identity was designed to capture Mooniq’s essence: a forward-thinking agency inspired by the concepts of exploration, technology, and limitless growth. Every element of the system —from the logo to the typographic and chromatic choices— was created to establish a sophisticated and aspirational brand presence.
2025© - Jv® Studio. — Enmanuel Jimenez V. All rights reserved.
Featured project in Graphic Design / Branding & Stock by Behance
You can view the entire project here: Contra
eally ambitious, well done.
Responsive. Adaptive Product Icon System
A dark-mode look at the custom icon system we created for Responsive.
The translucent outer layer allows each icon to react to its environment, so the system can shift in feel between light and dark interfaces without losing its core visual language.
Designed by Lepisov Branding. Presentation built in Spline.
The translucent outer layer trick is such a clean way to handle light/dark without redesigning the whole set twice. Did Spline make that reactive shift easier than expected, or were there some snags getting the transitions smooth?