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"Cover Story · dots and print"
Each post is presented as a new issue coming off a two-ink press, with the photo printed as a halftone in one ink and the type in the other. It is best for announcements, launches, and milestones, especially when the photo has one clear object against a plain background; rebranding takes about 15–16 editor actions.
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I built a clean, split-screen video ad template best used for luxury e-commerce products like perfumes or cosmetics. It allows brands to instantly swap in their own product image, update the bold headline, and change the brand colors to generate a polished promotional video in minutes
Best of luck for your submission.
Built SPHINX HALLOWEEN hoodie + 3 Liquid Glass animated product tags using SVGator MCP
I connected mcp.svgator.com/mcp to Claude Sonnet 4.5 and asked for "liquid glass product tags for SPHINX HALLOWEEN hoodie - EGYPT EDITION, SPHINX HALLOWEEN, $89 - transparent so it sits over hoodie without touching it"
Claude used MCP tools in ONE call:
Describe SVGator element
create_project: 1920x1080 canvas, transparent background, 3 groups (pill shape + text + blur filter + top highlight), keyframes for floating animation
Result: EGYPT EDITION / SPHINX HALLOWEEN / $89 glass tags over untouched hoodie design
Brand: SPHINX EGYPT - Halloween 2026 drop
Hoodie design preserved - only overlay added
♥️♥️
First Day of Issue turns a launch announcement into a formal invitation: the product becomes an engraved stamp, the launch date is the postmark and the audience is the handwritten address. Change the logo, headline, date, address, stamp picture and colours, and every beat plays for your brand: the envelope, the stamp, the postmark, the pen-written address, the card, the wax seal and the gold foil. Best for product launches, shop openings and new drops that should feel personal and premium.
Every layer is named (logo, headline, date, address-line-1, stamp, wax-seal), all text is live text, and each image sits in its own element. The video shows the same template twice: Provly first, then Shelfsy. I directed it, and Claude and I built it together through the SVGator MCP.
Launch date as the postmark and the audience as the handwritten address is a brilliant mapping: the content fields are the story. The wax seal and gold foil make it feel like an invitation rather than an ad.